Keith hand colored his trade edition book and added fragments of text, with West African cultural images, and integrated elements of music scores with the pictographs and signs. This book is hand colored and collaged by the Keith from his trade edition book designed by Bryan McHugh. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Paul Hatton. -- Source of annotation: Marvin or Ruth Sackner.

The artist writes that "this series of drawings is based on a sequence of fibonacci numbers and ratios that form parallel spirals in pine cones." -- Source of annotation: Marvin or Ruth Sackner.

Deals with the issue of the "atrocity reports of the Iraqis...to the exclusion of all the people we had destroyed..." -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This booklet in concept resembles booklets made by Wally Depew. It was probably made by dipping the blank pages of this booklet into diluted planaxol. planaxol is a special resin glue for manual perfect binding of most paper grades as well as for many other adhesives work with paper, cardboard, textiles, etc. The booklet is rubberstamped 241 on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This booklet in concept resembles booklets made by Wally Depew. It was probably made by dripping planaxol onto a blank page of the unassembed booklet. Planaxol is a special redin glue for manual perfect binding of most paper grades as well as for many other adhesives work with paper, cardboard, textiles, etc. It is rubberstamped 157 on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This book is a combination of visual poems, philosophical musings, abstract drawings and found poems. -- Source of annotation: Marvin or Ruth Sackner.

This is designated No.25 in the series, Werkzeichnis. It contains prints with dada texts reinterpreted with contemporary typography by the press. There are three abstract expressionistic paintings on paper included in this work which were done by Harry Reese (Turkey Press, Santa Barbara, California). The soft cover book by Hanne Bergius, subtitled "Yes to the gigantic world-nonsence," is an essay on the definition of Dada. -- Source of annotation: Marvin or Ruth Sackner.

Reproduced in Rudolph Englert's exhibition catalogue, "Bilder, Zeichnungen Objekte 1941-1979, a book held by the Sackner Archive. Englert was born in 1921 and died in 1989. -- Source of annotation: Marvin or Ruth Sackner.

Reproduced in Rudolph Englert's exhibition catalogue, "Bilder, Zeichnungen Objekte 1941-1979, a book held by the Sackner Archive. Englert was born in 1921 and died in 1989. -- Source of annotation: Marvin or Ruth Sackner.

The title of this book is a double entendre. It is a love poem superimposed on a background of King Solomon's alphabet. The poem closes with "Plum Bananas Over You." -- Source of annotation: Marvin or Ruth Sackner.

Several of the cards have been altered with a rainbow, others are original with a rainbow theme. -- Source of annotation: Marvin or Ruth Sackner.

The pages are black colored stock with a single printed word collaged on the page. The typeface of the words progressively increases in dimension with each page. The words are fug. chug. glug. tug. This book was in the collection of Grant U. Roman who was negotiating with Finlay to publish the book. It is not cited in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.