This book celebrates ten years of Granary Press and the independent publications of Steven Clay. Charles Bernstein contributed a forward and Steven Clay wrote an introduction. Bernstein writes, "At Granary, books are not neutral containers but are invested with a life of their own, conceived as objects first and foremost, entering the world not as the discardable shell of some other story but piping their own tunes on their own instruments. Nothing is taken for granted - the binder is as much a star as the printer or writer. The design is an extension of (not secondary to) the content, just as the content is an extension of the design. For a book, a Granary Book, is never about delivering information in the most expeditious form." -- Source of annotation: Marvin or Ruth Sackner.

Stored with Book Works Newsletters. -- Source of annotation: Marvin or Ruth Sackner.

Marvin Sackner published his famous "Chicken Soup" postcard with PPP in 1987. The Sackner Archive is listed in "Collections." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "The Postcard Century" by Tom Phillips. Kustow writes that "Phillips speculates on the characters and narratives of his vanished postcard-senders and the blurred bystanders in the pictures, while uncovering landscapes of wonder and networks of meaning in the ephemera of our age." -- Source of annotation: Marvin or Ruth Sackner.

This portfolio is a presentation for an artist book edition of 25 copies with hand made paper and vellum, with pages letterpress printed and handpainted on both sides with text set in various wood and metal types. -- Source of annotation: Marvin or Ruth Sackner.

This is the "third" edition of the book that presents a retrospective of Phillips' ouevre. The "second" edition and its year of publication are a mystery. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of the book that presents a retrospective of Phillips' ouevre. In view of the importance of Tom Phillips in shaping the Sackner Archive, one copy is stored as a reference text, the other copy with Tom Phillips books in a box in the alcove off the second bedroom. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of an long essay on the history of word-image works begining with Mallarme's "Un Coup de Des..." to Concrete Poetry by A. Schug. The folding of the book is similar to Cendrars and Delauney's "Transsiberian Railway." The latter is reproduced in color as a facsimile in the same dimensions when this catalogue is fully opened. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. The black and white photograph in the book by Thomas Gunther is a portrait of Warnke reading from one of his texts; it was made by Thomas Gunther. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition checklist was curated by Kathy Ernst and Marilyn Rosenberg. -- Source of annotation: Marvin or Ruth Sackner.

An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive and is illustrated in the catalogue. The latter also provides prices of the books. -- Source of annotation: Marvin or Ruth Sackner.

An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In the forward to the catalogue, Harriet Bart writes that this exhibition "presents the book and the printed page as palimpsest: de-constructed, re-examined, re-marked, re-considered, re-constructed, re-imagined, re-invented, re-purposed." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent a book to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Colin Hinz is the publisher. -- Source of annotation: Marvin or Ruth Sackner.