This book deals with the construction of Hock's Gazebo, her summerhouse. -- Source of annotation: Marvin or Ruth Sackner.

The title translated into English means Gazelles. -- Source of annotation: Marvin or Ruth Sackner.

This copy of the book with unbound prints has different additions in ink, graphite and crayon than the spiral bound copy that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The die-cut papercard pages have amorphous forms. -- Source of annotation: Marvin or Ruth Sackner.

All the pages are filled with small calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

Each print depicts a word in braille, e.g., music, light, blindness, colour, and poetry. The latter is printed as raised dots in the Braille language. The background for Musica is four stripes of greys simulating a musical score. Dots for the word Luce (light) appear to be illuminated in its print. Cecita (blindness) is printed on a grey, nondescript background. -- Source of annotation: Marvin or Ruth Sackner.

The text consists of calligraphic markings formatted into paragraphs without any punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.

In her essay "Cosmographicae Meditationes" Stetser considers maps as revealing the culture, politics, and values of those who make and use them." The visual renditions of various maps are tied in with the language and symbols of the text on each sheet, recognizing that "language holds a nation together but it also enables us to learn about other people and countries." -- Source of annotation: Marvin or Ruth Sackner.

This object consists of shreds of offset colored papers surrounding a sharp knife. -- Source of annotation: Marvin or Ruth Sackner.

This object consists of shreds of offset colored papers surrounding a sharp knife. -- Source of annotation: Marvin or Ruth Sackner.

According to Lloyd, "GINA LOTTA POST is an artist stamp post evolved out of the correspondence art activities of Ginny Lloyd. Founded in 1978, there have been both several one-of-a-kind stamps and multiple edition issues. Headquartered in San Francisco, where most of the editions are published, several GINA LOTTA POST editions have been published elsewhere: Budapest, Munich, Poland, Amsterdam, Cleveland and New York.Various mediums are used in the creation of the stamps: photographs, computer graphics, collage, rubber stamps, etc. the stamps are intended to be used to illuminate mailings as will as to be displayed as prints.GINA LOTTA POST is an artist book containing stamp issues that have not been published previously, as well as, reproductions from published editions." -- Source of annotation: Marvin or Ruth Sackner.

The pages are collaged with magazine illustrations in which a single letter of the expression "AIDSKILLS" appears on alternate pages. The author mentions that each collage is unique. -- Source of annotation: Marvin or Ruth Sackner.

This is a love story of a romance between two gloves incorporating several poetic puns. Each page is laid out with varied typefaces and colorful illustrations. Oleszko has drawn a stylized face on the tip of the index finger of the right glove reminiscent of one of the characters she portrays in one of her performance films. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single woodcut black square with a squiggley white tube piercing it and rubberstamped one letter of the title on right edge of each page. The cover depicts a green and red woodcut oolored abstract design on beige papercard. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew utilized a single woodcut square and progressively removed a increasing portion of it page by page so that by the end of the book only a small, irregularly shaped printed fragment remained. These pages were then mimeographed. The cover depicts a green colored abstract design on beige papercard. -- Source of annotation: Marvin or Ruth Sackner.