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The text is printed on the right facing pages. The left facing pages consist of varyied typographic designs of rubberstamped letters of the title and Asian calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

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Drucker comments in her catalogue from the exhibition at Printed Matter that this was written in her Punk Phase. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Cozette de Charmoy writes in the colophon, "In 1806 Hegel saw the Rhino pass under his window in the stsreets of Jena. He understood at once. He said to himself 'This is the end of history.' More than a century later, Alexander Kojeve saw the Rhino (a metaphor for Salin) in the streets of Moscow. He understood, he left immediately." the following was taken from a WEB site: "Kojeve was a French philosopher (1902-1968), born Aleksandr Vladimirovich Kozhevnikov in Russia. Kojève studied in Germany (Heidelberg) where, under the supervision of Karl Jaspers, he completed a thesis (Die religöse Philosophie Wladimir Solowjews, 1931) Vladimir Solovyov, a Russian religious philosopher deeply influenced by Hegel. He later settled in Paris, where he taught at the Ecole Pratique des Hautes Etudes. Taking over from Alexandre Koyré, he taught a seminar on Hegel from 1933 till 1939. Along with Jean Hyppolite, he was responsible for the serious introduction of Hegel into French thought. His...

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Exhibition of Adamcazewski's "acoustic books" as part of a series from the title meaning "The Book and What Next" in English. -- Source of annotation: Marvin or Ruth Sackner.

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The translucent sleeve pages of this catalogue reveal images and texts printed underneath them. Its design can be considered an artist book in its own right. Provides information about Avant Garde Polish artist magazine, e.g., Tango & Luxus (selected issues held by Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

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Each page depicts a head photographic portrait of Riha placing a prop on some location of his head, e.g., book, forks, toilet paper roll, etc.. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book was published on the occasion of Ulrichs' exhibition in the Stadtischen Galerie "der Welte," Iserlohn, Germany. The book consists of pornographic photographs of men and women with a famous artwork in the background of a home setting. These works are either reproductions or actual photographs of the famous works that have been collaged into the photographs and rephotographed. They include master paintings by Picasso, Dali, Warhol, Gauguin, van Gogh among others. The captions under each illustration list the name of the artist, the painting and the name of the collection. The pornographic images are not referred to. Thus, the contradiction, life=sex, is the important issue, not art! The print is an image not included in the book and depicts two Lesbians making love with van Gogh's "Iris" painting in the background. The print is stored in a small notebook in the 1904 apartment. The book is described in Ulrichs' catalogue "Die Druckgrafik" 2003, pages 184-191 and the print...

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Each page has a frontal line drawing portrait of a woman's face with short cropped haie presumably Linda Bandt Depew, Wally's wife. The drawings are altered with various shadowy effects and are printed in black or red. -- Source of annotation: Marvin or Ruth Sackner.

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Each print has a frontal line drawing portrait of a woman's face with short cropped hair presumably Linda Bandt Depew, Wally's wife. The prints are altered handcolored in black or red ink. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Each page has a frontal line drawing portrait of a woman's face with short cropped hair presumably Linda Bandt Depew, Wally's wife. The drawings are altered with various shadowy effects and are printed in black or red. This mock-up of the trade edition book is printed on much thicker paper. It is stored in the box of Depew's unique books. -- Source of annotation: Marvin or Ruth Sackner.

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In this book, Ferrari interrelates Western religious imagery with nuclear explosions. -- Source of annotation: Marvin or Ruth Sackner.

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This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by red cloth. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was made to honor the centenary of the birth of Arthur Rimbaud. The images are collaged to the 50 keys of a restored child's game. One image is collaged to the visible part of each key. Depression of the key, which is hinged, brings up two additional images, viz., one collaged to its undersurface, the other collaged to the surface that was covered by the upper part. The box of this object is covered by red cloth. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The text and two drawings of this book were done by Pagiras, the book binding by Knoderer. The title of the book is The Electric Woman: A Little Erotic Tale. Tac. Tic. Tac...Electric woman, With a magnetic smile, Positively your Sssshhhhhhtttttt. Her third resonant eye, Luminous energy, Of electrodes, Fffffhhhhhtttttt. Caustic envelope, At the primary source, Of electronic bosoms, Phphphhhhhtttttt. Electric woman, Your negatively, Sssshhhhhhttttt. At the sundial disc, Stubborn, At the luminous oblivion, Of a dazzling logic, Ffffhhhhhhtttttt. Endothermic nudity, Chemically prisoner, Of a cathode tube, Phphphhhhhtttttt. Put me in gear, With the luminous needles, Of your electroacoustic awakening.Tic. Tac. Tic. Tac...This poem suggests that the woman in this poem has a great deal of inner electric energy which wants to be fleshed into the open. It compliments the sculpture of Miller Levy's "L'homme La femme" in which man is represented by a single on-off switch and woman by a plethora...

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The cover of the book depicts a cyclist who is composed of elements of graphic design e.g., exclamation point, question mark, parenthsis, commas, period, bracket, not-equal-to sign. This is the deluxe edition which contains 5 prints numbered 2/60 and prints on velin d'arche numbered 2/20. The Sackner Archive also holds "The Cyclist" by William Jay Smith published in 1995 by Stone House Press. Dupont and Smith were introduced by the Sackners in Paris and shortly thereafter became collaborators. -- Source of annotation: Marvin or Ruth Sackner.