The pages are cut in the shape of the letter 'E.' -- Source of annotation: Marvin or Ruth Sackner.

One page prints Hausmann's 1926 poem 'Lausbumchen' in calligraphic format; the typed poem is held by the Sackner Artchive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing by Caruso depicts four tilted leaves arranged vertically over music staffs with numbers. The leaves are filled with calligraphic text. The poem by Diacono was printed letterpress. The cover was painted by Piero Varroni. -- Source of annotation: Marvin or Ruth Sackner.

This is a hard cover version of the same book published by No Press in 2010 in 50 copies. The latter was designed with Adobe Photoshop while this book was designed with Adobe Illustrator. -- Source of annotation: Marvin or Ruth Sackner.

This book was designed with Adobe Illustrator. -- Source of annotation: Marvin or Ruth Sackner.

This book was ddesigned with Adobe Photoshop. -- Source of annotation: Marvin or Ruth Sackner.

Each page contains an artist stamp of Queen Elizabeth that progressively increases in size and in the scratched, cancelled surfaces until the Queen's profile is totally obscured on the final stamp. -- Source of annotation: Marvin or Ruth Sackner.

The poems and etchings on papier du Nepal were executed by Anik Vinay; the slipcase was made by Emile-Bernard Souchiere. This copy is numbered 93 and the edition size is opened to orders. -- Source of annotation: Marvin or Ruth Sackner.

The print on the slipcase was designed by Rimma Gerlovina. The Sackner Archive holdss the second version of Vilen Barsky's poem on toilet paper, "Message of the Toilet Paper" that is photographically reproduced on page 117 and Lev Nussberg's book "Tits of Burluk David's Motherland" on page 125 are held by the Sackner Archive. Collective Farm Magazine, also held by the Sackner Archive, is photographically reproduced on page 153. Vagrich Bakhchanyan, Michael Chernyshov, Rimma Gerlovina, Valery Gerlovin, Henry Khudyakov, and Komer & Malamid each contributed a lithograph to the accompanying portfolio. -- Source of annotation: Marvin or Ruth Sackner.

Stored in same envelope as Kulemin's "De-Gradation." -- Source of annotation: Marvin or Ruth Sackner.

The booklet was designed by taking colored printed letters from clippings of the popular press and collaging them onto pages with a collaged visual and verbal background. The text reads, "R.W. Emerson essays - nothing great was ever achieved without enthusiasm." Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

The text is printed on blueprint paper that will gradually fade with exposure to light. -- Source of annotation: Marvin or Ruth Sackner.

This book documents the correspondence between Hamady and Wilde in the form of repoducing 1159 letters reset in type. The two corresponents address themselves in profanity-laced salutations throughout their humorous letters to each other. It is the in the ninth book collaboration between Hamady and Wilde from 1971 and 2000. Hamady writes of the correspondence, "As a segmented evolution, with no determined destination other than the voyage itself, this text and what it represents, could, conceivably, cause a certain difficult affliction to those who preacertain a preference for plot or conclusion...Also the many aliases usually forged from specificities in the lacunae of text will obfusk the identity of who wrote what. Since these writers seem not to care why should anyone else?" -- Source of annotation: Marvin or Ruth Sackner.