Artist book (limited edition)
Found in 1475 Collections and/or Records:
Tam Tam: 1984 15 poesie x Irene Aebi e Steve lLacy. No.41A / Franco Beltrametti., 1984
Tam Tam: Fragments 13 + 2. No.46B / Carmine Lubrano., 1986
Tam Tam: Transuraniche. No.28A/Aug / Luciana Arbizzani., 1981
Edited by Adriano Spatola and Giulla Niccolai. -- Source of annotation: Marvin or Ruth Sackner.
Tao Ding Tung / Diacono, Mario., 1975
The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.
Tao Ding Tung / Diacono, Mario., 1975
The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.
Target: 13 Poems and Inks for Annabel Levitt, 1981
Teatro Visivo, 1966
The illustrations depict visual poetic collages made by Ori early on; many are framed by a drawing of a stage. Luciano Ori was born in Florence in 1928. -- Source of annotation: Marvin or Ruth Sackner.
Techne, Quaderni di: Recycling Papers. No.49/Feb / Eugenio Miccini, editor., 1979
Images were taken from overprintings of a trade press. They predate copier and book art with similar content sensability as found in the works by Jurgen Olbrich, Dieter Wagner, and Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.
Technical Error 31 / Smith, Mimi., 1990
The book consists of printed drawings of a computer videoscreen with additions of pointillistic acrylic painted error messages typically encountered when running a program. On the opposite page, The artist's facial expressions (as scanned computer images) are depicted on the opposing page as she encounters the message. This copy is a printer's proof that was purchased from Peter Kruty. -- Source of annotation: Marvin or Ruth Sackner.
Telling / Barton, David., 1995
Ten Documents (1973-80) / Tot, Endre., 1980
In this limited edition of the book, all pages and the cover of the folder are stamped with the facial portrait of Tot surrounded by the phrase, "documents make me glad." -- Source of annotation: Marvin or Ruth Sackner.
Ten Theses / Petasz, Pawel., 1979
On the final page, Petasz expresses dissatisfaction with the printing of the book and encloses two cards for a poll as to whether he should try again to better print this book. -- Source of annotation: Marvin or Ruth Sackner.
Terror, Terror, 1977
Book was printed from black & white photographs (rigidly planned) of poems that had already been made with wood block type. Further comments on this book can be found in Campbell's exhibition catalogue at the Yale Center for British Art (held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.
Tétraèdre, 1989
Texte / Hartmann, Werner., 1980
Textes / Rabascall, Joan., 1975
Texthypertext / Critical Art Ensemble., 1989
This book has been cut to have five sides. This collective group also composes and performs music. -- Source of annotation: Marvin or Ruth Sackner.
That's my Windbreaker in the Vestibule / Fishbein, Sue., 1981
The (4th Edition) / And, Miekal., 2008
This fourth edition depicts the images in color rather than in b&w as the first edition. -- Source of annotation: Marvin or Ruth Sackner.
The ABC Hate Book / Day, Lisa., 1990
A single capital letter in alphabetical order is printed on each page followed by a hate aphorism, e.g., W Why? WHY? would I want you back? -- Source of annotation: Marvin or Ruth Sackner.