Artist book (limited edition)
Found in 1476 Collections and/or Records:
To Work / Tan, Elisa., 1991
This book, which is designated the 2nd edition, deals with Tan's memories of working 9 hours a day in a hand-bag factory in 1977. She pasted imitation-leather onto cardboard. The text relates to a printed book first editioned in 1978 in 50 copies. The Sackner Archive holds a copy of a related unique book, entitled, "Conjugation of the Verb: To Work," in which the pages have collaged elements of a similar text. -- Source of annotation: Marvin or Ruth Sackner.
Too Much Bliss / Drescher, Henrik ; Gallo P ; Kelm D., 1992
This book was printed by Philip Gallo from metal plates and bound by Daniel Kelm. Every page has watercolored additions by Drescher. -- Source of annotation: Marvin or Ruth Sackner.
Top Gush / Bennett, John M. ; Leftwich J ; Taylor T., 2002
Covers were done by Jim Leftwich and Thomas L. Taylor -- Source of annotation: Marvin or Ruth Sackner.
Touch Method / Dellafiora, David., 2003
Touchi NG Small Coins And Ideas / Petasz, Pawel., 1981
Tout Arrive, Meme Rien / Roche, Maurice; Loubieres, Jean-Claude., 1992
This book is not listed in Roche's bibliography published in "La Violence Le Chant" (1994). It is designated as Collectif Generation No.109. The tirage is not provided but probably is about 20 copies as judged from similar books in the series. The paper is Moulon du Gue and has seven, small round perforations lined up in an evenly spaced row in the middle of the page. The text is printed mostly on the edges, partly underneath the paraffin edges. -- Source of annotation: Marvin or Ruth Sackner.
Tout No.....15, 1966
All books were assembled by Ben and no two copies are alike. -- Source of annotation: Marvin or Ruth Sackner.
Tout No.....15, 1966
All books were assembled by Ben and no two copies are alike. -- Source of annotation: Marvin or Ruth Sackner.
Toward an Ofay Aesthetic / Faust, Dikko ; Cohrs, Timothy., 1979
Toward an Ofay Aesthetic / Faust, Dikko ; Cohrs, Timothy., 1979
Toxic / Depew, Wally., 1986
In a letter to Marvin Sackner, Depew explained that he counts each sheet as two pages even if the sides are blank. This copy of the book and another have a beige cover in contrast to the usual green cover. It is likely that the pages were created by rubberstamping followed for photocopying them for the edition. The sole word used in this book is "toxic." The frontpiece depicts an abstract image. -- Source of annotation: Marvin or Ruth Sackner.
Toxic / Depew, Wally., 1986
In a letter to Marvin Sackner, Depew explained that he counts each sheet as two pages even if the sides are blank. This copy of the book as do most has a green paper cover. One of the Sackner copies has a light gray cover. It is likely that the pages were created by rubberstamping followed by photocopying them for the edition. The sole word used in this book is "toxic." The frontpiece depicts an abstract image. -- Source of annotation: Marvin or Ruth Sackner.
Traces of Man / Stetser, Carol., 2000
This book reveals "traces of man" through history from reproductions of cave pictures, languages, mathematics, computer texts and buildings. -- Source of annotation: Marvin or Ruth Sackner.
Traces / Turnbull, Gael., 1983
Trailer / Phillips, Tom., 1971
Phillips recounts the creation of Humument and of Trailer in his preface. Trailer was made from the reminders of a second copy of "A Human Document" that Phillips had purchased to paint Humument fragments. Most of the images in Trailer consist of Humument texts and abstract line drawings. -- Source of annotation: Marvin or Ruth Sackner.
Transformationen: zum Wort NIE / Hapkemeyer, Andreas., 1989
NIE in German means never, -- Source of annotation: Marvin or Ruth Sackner.
Translation / Grunberg, Maty ; Cinicolo-3 D., 1977
The typography was done by Donato Cinicolo 3 and the etchings by David Brown at the New Crane Studio in London. The images consist of photographs of the artist's face and corresponding verbal tautologies of a facial part in juxtaposition. -- Source of annotation: Marvin or Ruth Sackner.
Transmorfations / Strangulensis, Ficus., 1996
Each page depicts a handwritten column of words or wordlike forms (composed in a computer) which shows progressive alteration from a primary word to a new one or an image. Examples include among others 1) be to blank 2) know to no 3) void to form 4) a hammer to a nail.This has been termed "transmorfation" by Ficus Strangulensis and has also been utilized by other poets, notably Crag Hill, jw curry, and Geof Huth. -- Source of annotation: Marvin or Ruth Sackner.
Transparency / Dellafiora, David, editor., 2002
This artist book presents a body of work produced by year 8 students at Matthew Flinders Girls Secondary College. Each student focused on a particular landscape for the development of small canvases (reproduced as b&w photocopied pages) that are captioned with a single word. The book accompanied an exhibition at the HUB Gallery. -- Source of annotation: Marvin or Ruth Sackner.
Transparency / McNiece, Kelly., 2002
The book of landscapes was produced as part of Dellafiora's gallery program for eighth year secondary college students. It coincided with an exhibition at HUB gallery. -- Source of annotation: Marvin or Ruth Sackner.