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Artist book (limited edition)

 Subject
Subject Source: Sackner Database

Found in 1476 Collections and/or Records:

Animal Auto Volume 1 & Volume 2 / Osowski, F'nL., 2000

 Item
Identifier: CC-34491-36188
Scope and Contents

The book covers are silk fabric. Osowski writes that the work is a "treatise regarding Animal-Auto interaction." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Appear-Disappear / Immoos, Franz., 1978

 Item
Identifier: CC-62498-47651
Scope and Contents

The words of the title were blind stamped using letterpress on a pile of papers so that that top page has a deep impression and the last page a faint impression. The pages were arranged so that the first page of the book depicts the faint impression of "appear" that progresses to the deep impression of "appear." This is followed by the deep impression of "disappear" that progresses to the faint impression of "disappear." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Arbeiten 1977-1980: Collagen, Buchobjekte, Objektbilder (Deluxe Edition) / Gruber, Hermann., 1980

 Item
Identifier: CC-10265-10468
Scope and Contents

This deluxe edition of the catalogue features a unique cover and a collage; its textural content is the same as the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Architexture / Topel, Andrew ; Murphy S., 2010

 Item
Identifier: CC-51541-72639
Scope and Contents

Sheila Murphy provided critical remarks at the end of this book. The layout of all the poems in this book is the same. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Archives Pessinoises / Pessin, Marc ; Butor M., 1997

 Item
Identifier: CC-28678-29979
Scope and Contents The white cover and spine are embossed in Pessin's typical style of repeated abstract markings or hieroglyphics that are utilized as a personal alphabet. Similar markings are contained on the three folded pages embossed on white, brown and beige papers. The remaining pages contain reproduced, handwritten French text by Pessin that offers an explanation of his personal alphabet. A poetic text by Jean-Pierre Spilmont and a critical text by Michel Butor are included in this catalogue. A description of Pessin's work which was included in the exhibition, "Civilisations Imaginaires" follows. The distinctive trademark of Marc Pessin's prints is a sophisticated system of waffle printing producing pages where the signs appear in relief. Using the same technique, a series of books were made with drawings from self taught outsider artists like Pierre Pascaud, Alain Pauzie, lan Pyper, Patrick Guallino and Jean Paul Baudouin. Born in 1933 in Paris, in a family of fairground artists, Marc Pessin...
Dates: 1997

Arkaeologika / Critical Art Ensemble; M Kurtz., 1990

 Item
Identifier: CC-17396-17761
Scope and Contents

The content of this book deals with preservation of the environment. One of the persons in this group is Mike Kurtz. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Arkaeologika / Critical Art Ensemble; M Kurtz., 1990

 Item
Identifier: CC-17396-17761
Scope and Contents

The content of this book deals with preservation of the environment. One of the persons in this group is Mike Kurtz. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Around Work Ball, 1999

 Item — Box 338: [Barcode: 31858072491230]
Identifier: CC-36352-38142
Scope and Contents

This collaboration consisted of reproductions of layers of text, handwriting, gauze and block letters printed on green paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Arpocrate Seduto Sul Loto / Marchetti, Walter., 1968

 Item
Identifier: CC-29897-31284
Scope and Contents

The pages of this book are printed single sided with minimal texts that leave large blank areas. There is a theme to the book as exemplified by three recurrent, similar pages scattered throughout the book. One is entitled "el libra de la forma" which is printed at the top right side along with a small empty circle in the middle of the page. Another is entitled "musica mentale" with a small straight line placed in different positions on the page. The final title is "musica visible" which is printed with lines that connect in different directions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Art / Depew, Wally., 1986

 Item
Identifier: CC-51117-72202
Scope and Contents

Includes list of words in alphabetical order incorporating "art" or "-art." The reading gives a contemporary Rap poetry sound. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Art / Depew, Wally., 1986

 Item
Identifier: CC-15112-15430
Scope and Contents

Includes list of words in alphabetical order incorporating "art" or "-art." The reading gives a contemporary Rap poetry sound. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Art Journaux: Die Kunst der Zeitschrift: Extrablatt / Jurgen O. Olbrich, curator ; Dittmar R ; Warhol A ; Tilson Ja ; Blaine J ; Damen H ; Bory JF ; Gette PA ; DeVries H ; Cardella J ; Kostelanetz R ; Krabbe P ; Warnke U ; Pittore-Eurifico C ; Padin C ; Was E ; And M ; Banana A ; Perkins S ; Rutkovsky P ; Carrion U ; Ben ; Gibbs M ; Johnson P ; Crandall J ; Ebel G ; Ahnert C ; Putz C ; Gutierrez R ; Carter K ; Miccini E ; McLean D ; Meade R ; Krabbe P ; Luh W ; Oberto A ; Carrega U ; Kempton K ; Dana L ; Bennett JM ; Chopin H ; Sabatier R ; Gagnon JC ; Bense M ; Walther E ; Hill C ; Zauner H ; Clavin H ; Andryczuk H ; Ferrando B ; Deisler G ; Lemaitre M ; Random S ; Shores M ; Mark A ; Neaderland L ; Mullican J., 2000

 Item
Identifier: CC-33994-35670
Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Emmett Williams and Jurgen Olbrich. The collage is done on the outer covers and the inner bck cover. The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive...
Dates: 2000