Asemic writing
Found in 41 Collections and/or Records:
Interview with Marco Giovenale by SJ Fowler / Giovenale, Marco; Villa E; Gaze T; Kaikkonen S; Kokko K; Bennett JM; Leftwich J; Kervinen JP; Koppany M; Huth G; Martone J., 2011
This essay was #65 in the magazine's "Maintenant" series. -- Source of annotation: Marvin or Ruth Sackner.
la strada non e libera / Giovenale, Marco., 2008
New Writing 1-3 / Bertola, Carla., 1991
Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.
Nietzsche's Brolly Broadsheet: Mathemaku for Narmer. No.85/Oct / Bob Grumman., 2009
noise / Gaze,Tim., 2014
Peripateticke Basne (Peripatetic Poems), 1987
Scorch Scores & In Line / Cobbing, Bob., 2015
Sibille Asemantiche / Giovenale, Marco., 2008
Switch / Gaze,Tim., 2002
This is Visual Poetry. No.5/Mar / Spencer Selby., 2010
This is Visual Poetry. No.20/Apr / C. Mehrl Bennett., 2010
This is Visual Poetry. No.71/Sep / Marco Giovenale., 2011
This is Visual Poetry. No.77/Jun / Jeremy Ballus., 2012
Jeremy Balius was born in Dallas Texas, raised in Giessen Germany, educated in Los Angeles California, lived in Berlin Germany and has called Fremantle Western Australia home for the last eight years. His asemic pieces have appeared in The New Post-literate. He is the author of wherein? he asks of memory (Knives Forks & Spoons Press, UK) and looks after Black Rider Press. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.79/January / Vsevolod Vlaskine., 2012
Vsevolod Vlaskine was born and grew up in Moscow, Russia. Currently he lives in Sydney, Australia .In his series of asemic photocalligrams, he explores the fluency of unobstructed, uncontrived movement mapped into the night landscape through the light of the full moon. He tries to remove photographic medium as a frame of reference, and to preserve the concrete materiality of the images, avoiding any editing. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.80/Oct / Vsevolod Vlaskine., 2012
Vsevolod Vlaskine was born and grew up in Moscow, Russia. Currently he lives in Sydney, Australia. In his series of asemic photocalligrams, he explores the fluency of unobstructed, uncontrived movement mapped into the night landscape through the light of the full moon. He tries to remove photographic medium as a frame of reference, and to preserve the concrete materiality of the images, avoiding any editing. -- Source of annotation: Marvin or Ruth Sackner.
Tom Taylor & Jim Leftwich / Taylor, Thomas Lowe ; Leftwich, Jim ; Burroughs WS ; Gaze T ; Silliman R ; Lehmus J ; Hibbard T ; Eco U., 2003
The asemic writing on the photocopied colored pages by Leftwich makes each book unique -- Source of annotation: Marvin or Ruth Sackner.
Unarmed: Rejimmy's. No.11/Apr / Jim Leftwich ; John Crouse., 2001
unconscious at Cape Paterson / Gaze,Tim ; Vleeskens, Cornelis., 2002
Visual Voices; Drawing-poem: Two Portraits; pages 100--101 / Weiss, Irving., 1994
This poem is based upon William Wordsworth (1770-1850), "Intimations of Immortality," Stanza IV; and Gerard Manley Hopkins (1844-1889), "The Wreck of the Deutschland," Stanza XXXI. -- Source of annotation: Marvin or Ruth Sackner.