The loose sheets, which are folded and of varied dimensions, consist of photomontages of images from newspapers and magazines, along with printed and handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

This book documents a public library intervention aimed to creat a new dialog between artists and library users. The project offered readers the opportunity to borrow artist books. Each book holds half the bookmarks received from participants in this exhibition; the other half were placed in books in the library to be discovered by the readers. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Andre Balthazar and Pol Bury with collaboration from Dick Higgins and Emmett Williams. Artists and writers were asked to describe themselves "in writing, or drawing, or any other means at the service of your imagination." Most elected to do a visual interpretation. A contribution by Mark Brusse, an artist living in New York, depicts the same calligraphic style and imagery of Robin Crozier. -- Source of annotation: Marvin or Ruth Sackner.

Milan Knizak, Ann Holyoke Lehmann, Rune Mields, Augustina Von Nagel, Jurgen Olbrich, Ingo Trauer, Emmett Williams, and Wolfgang Hainke all contributed objects to the box and signed some of their works. The book incorporates a magazine that reviewed the top ten black jazz and blues recording artists in 1956. The 24 blank embossed pages bear an imprint of a small nail or pin on the left center portion of the pages. -- Source of annotation: Marvin or Ruth Sackner.

The Wednesday Club consists of eight artists who collaborated in producing this assembling. The contents are packaged commercial items. -- Source of annotation: Marvin or Ruth Sackner.

The Wednesday Club consists of eight artists who collaborated in producing this assembling. The contents are packaged commercial items. -- Source of annotation: Marvin or Ruth Sackner.

This assembling on the theme of the garden was published in conjunction with an exhibition at the Galerie am Kreuzberg with the same artists who exhibited. -- Source of annotation: Marvin or Ruth Sackner.

The contents of the box document a performance, exhibition, and workshop held at the gallery which was done by Gunther Ruch and the Nomads. The cover is collaged with an actual rubberstamp. The braille heart-shaped print is unsigned. -- Source of annotation: Marvin or Ruth Sackner.

This provides documentation and exhibition reviews for the Fusion group who created the periodical with the same title. The periodical was co-edited by Shalom Newman who was responsible for its concept and painting, Marc Sloan for electronics and Bart Plantengo for co-editing. It is likely that the Sackner Archive has the only copy of this planned periodical. The documentation is stored in the suitcase housing the book. -- Source of annotation: Marvin or Ruth Sackner.

The contributors altered the same photograph depicted on the cover to produce a visual/verbal art piece. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

This was a correpondence art collaborative project bases upon Beckett/Johns' book Fizzles. -- Source of annotation: Marvin or Ruth Sackner.

The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.