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Biography

 Subject
Subject Source: Sackner Database

Found in 468 Collections and/or Records:

Picasso: Great Genius Brought Low / Phillips, Tom., 1988

 Item
Identifier: CC-03970-4045
Scope and Contents

Tom Phillips' review of "Picasso: Creator and Destroyer" by Arianna Stassinopoulos Huffington. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Piero Manzoni / Derbylius ; Manzoni P ; Caruso B ; Villa E ; Diacono M ; Parmiggiani C., 2006

 Item
Identifier: CC-44939-47111
Scope and Contents

This catalogue provides a partial listing of all documents dealing with Manzoni as well as books by Caruso and Villa. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Pocket Calculator Poems, 1988

 Item — Folder 17: [Barcode: 31858072459765]
Identifier: CC-22070-22486
Scope and Contents

One print has a hand calculator glued to it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / Vittore Baroni

Podoby / Hoffmeister, Adolf ; Mayakovsky V ; Grosz G ; Cocteau J ; Joyce J ; Tzara T ; Soupault P ; Valery P ; Goll Y ; Aragon L ; Ernst M ; Biebl K ; Nezval V ; Filla E ; Picasso P ; Brod M ; Burian EF., 1961

 Item
Identifier: CC-51692-72792
Scope and Contents This book consists of illustrated interviews and essays about European artistic and literary figures from the 1920s to 1960s written and depicted with caricatures by Hoffmeister.Adolf Hoffmeister (1902-1973) was a poet, novelist, artist, translator and editor. He edited one of the main Czech daily newspapers, Lidove noviny (1928-30) and the main literary paper, Literarní noviny (1930-32). He was also a talented artist and caricaturist, often illustrating his own work. Hoffmeister set up an anti-fascist magazine, Simplicus, in the 1930s after the German satiric magazine Simplicissimus was banned by the Nazis. He also wrote the libretto for a children's opera, Brundibar, with music by the Czech composer Hans Krasa in 1938; the opera was performed fifty-five times by children in Terezín concentration camp where Krasa was interned. Hoffmeister emigrated to France in 1939, but moved on to Morocco when France fell. There, he was arrested but escaped from an internment camp and arrived...
Dates: 1961
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

poems of life & death, 2003

 Item
Identifier: CC-41737-43729
Scope and Contents Pie o provides a wonderful biography of Jas Duke and selects additional poems to those reprinted from Duke's "poems of life and death." The accompanying compact disc is Jas Duke reading poems from the latter. thalia (internet); Jas H. Duke was born in Ballarat, Australia in 1939. Son of two schoolteachers, Irish-Scottish ancestors. His family moved to Melbourne in the 1950s. He worked as a draftsman/ a laboratory assistant/ a technical writer and dreamed of becoming a chess champion (didnt quite make it). As a substitute he read every book that he could find. In the 60's he became an Anarchist. Wrote short stories, and was desperately looking for a way to break-out! Went to England via the U S of A, where he circulated in the politico-psychedelic underground. In England he sought the commraderie of Freedom Press; met Ted Kavanagh, Cohn Bendit, Yoko Ono, and Raoul Hausmann. Jas became a political activist, and an actor who appeared in many underground movies by filmmaker Jeff Keen....
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Poems Performance Pieces Proses Plays: Kurt Schwitters / Rothenberg, Jerome, editor ; Joris, Pierre, editor., 1993

 Item
Identifier: CC-03568-3632
Scope and Contents

Kurt Schwitters has written, "I pasted words and sentences together into poems in such a way that their rhythmic composition created a kind of drawing. The other way around, I pasted together pictures and drawings containing sentences that demand to be read. I drove nails into pictures in such a way that besides the pictorial effect a plastic relief effect arose. I did this in order to erase the boundaries between the arts." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Pohlednice Z Ciny / Hoffmeister, Adolf., 1954

 Item
Identifier: CC-51725-72825
Scope and Contents

This book deals with Hoffmeister's travel to China. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1954
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

point d'ironie. hors serie 32 / Ben ; Bruly-Bouabre F ; Gette PA ; Ginsberg A ; Hubaut J ; Mekas J ; Messager A ; Paik NJ ; Pettibon R ; Ray M ; Rodchenko A ; Rotella M ; Warhol A ; Obrist HU ; Musil R ; Boltanski C ; Othoniel JM., 2004

 Item
Identifier: CC-42658-44676
Scope and Contents

This special issue of Point d'Ironie presents one sheet that consists of an interview by Hans-Urich Obrist with Agnes b. on the occasion of the exhibition "La collection d'Art Contemporain d' Agnes b." In it Agnes b. describes her background, her philosphy, the idea behind Point d'Ironie and her plans for the future. A second folded sheet is an alphabetical listing of artists who have participated in the activities of Agnes b. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

P.O.W.: cold. No.4 / Paul Brown., 2012

 Item
Identifier: CC-54605-990053
Scope and Contents

This publication is edited by Antonio Claudio Carvalho. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

P.O.W.: expoems. No.7 / Augusto de Campos., 2012

 Item
Identifier: CC-58302-10001534
Scope and Contents

This publication is edited by Antonio Claudio Carvalho. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

P.O.W.: learn the shadow. No.3 / Pierre Joris., 2012

 Item
Identifier: CC-54604-990052
Scope and Contents

This publication is edited by Antonio Claudio Carvalho. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

P.O.W.: poems for sale. No.5 / Chris Mccabe., 2012

 Item
Identifier: CC-54606-990054
Scope and Contents

Poems are related to the writer's mental status. This publication is edited by Antonio Claudio Carvalho. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Princeton Institute Newsletter. Winter / Phillips T., 2007

 Item
Identifier: CC-46840-49574
Scope and Contents

An illustrated article in this newsletter features Tom Phillips appointment as Director's Visitor at the Instiute. Stored with Tom Phillips material. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Programm 99 / Edition Splitter ; Riha K ; Gomringer E ; Hell B ; Daniel P ; Schmidt B ; Kaufmannn A ; Pimenta A., 1999

 Item
Identifier: CC-32556-34137
Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Prose-Verse-Poster-Algebraic-Symbolico-Riddle Musicopoematographoscope & Pocket Musicopoematographoscope / Brennan, Christopher ; Mallarme S., 1981

 Item
Identifier: CC-22169-22591
Scope and Contents

Introduction written by Axel Clark. Two of Brennan's previously unpublished works related in form to Mallarme's "Un Coup De Des" are reproduced in this volume. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Pure Act: The Uncommon Life of Robert Lax, 2015

 Item
Identifier: CC-61184-10003920
Scope and Contents Stored in Robert Lax box.New York Times book review: To describe Robert Lax as a minimalist poet does scant justice to the reedlike shape of his "vertical" poems. A typical page in his most comprehensive book, "Poems (1962-1997)," might contain 20 words arranged in columnar form, a single syllable or punctuation mark to each line. One poem consists of "ro"‰/"‰ber"‰/"‰to" "” the name Lax was often called in his adopted country, Greece "” repeated three times, followed by "cries"‰/"‰the"‰/"‰roos"‰/"‰ter" with the final pair of syllables again thrice repeated.This can be curiously beguiling, over a brief period, but Lax's poetry has little of the visual playfulness or verbal ingenuity of like-minded members of that broad church known as concrete poetry, like Ian Hamilton Finlay, the Scottish poet and artist with whom Lax corresponded. In "Pure Act," Michael N. McGregor tells us more than once that Lax was mainly interested in writing for himself.McGregor, a professor at Portland...
Dates: 2015
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Pushing the Boundaries / bp Nichol; Brian Nash; jw curry; E Nichol; P Dutton; W Maki; F Wah; S McCaffery; R Barreto-Rivera., 1998

 Item
Identifier: CC-32661-34247
Scope and Contents

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

Pushing the Boundaries / bp Nichol; Brian Nash; jw curry; E Nichol; P Dutton; W Maki; F Wah; S McCaffery; R Barreto-Rivera., 1998

 Item
Identifier: CC-32661-34247
Scope and Contents

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

Reader / Mund, Hugo Jr.., 1992

 Item
Identifier: CC-06319-6436
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Reading Visual Poetry after Futurism: Marinetti, Apollinaire, Schwitters, Cummings / Webster, Michael ; Cendrars B ; Apollinaire G ; Schwitters K ; cummings ee ; Marinetti FT ; Bohn W ; Shattuck R ; Barthes R ; Steiner W ; Stein G ; Zurbrugg N ; Dohl R ; Mayer HJ ; Tashjian D ; Gomringer E ; DeCampos A ; Pignatari D ; DeCampos H ; Carra C ; Hausmann R ; Williams E., 1995

 Item
Identifier: CC-32304-33866
Scope and Contents

Webster states that the four main poets discussed in this book, that was originally a doctural thesis, were not influenced by Mallarme's Un Coup de Des. In the case of Marinetti, he points out the structural typographic differences and similarities between Un Coup de Des and Parole In Liberta. Webster uses the term, visual poetry, as synonymous with concrete poetry. An appendix depicts several poems descibed in the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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