Biography
Found in 468 Collections and/or Records:
With William Burroughs a Report from the Bunker / Bockris, Victor ; Sontag S ; Malanga G ; Weissner C ; Ginsberg A ; Warhol A ; Giorno J., 1981
Wording the Silent Art: Essays and Writings , 2001
Amazon.com: Wording the Silent Art collects Barbara Caruso's essays on the contemporary art scene, including controversial issues like the National Gallery's purchase of Barnett Newman's Voice of Fire and the recent transformation of public galleries from institutions of preservation to places of pop entertainment and the effect this has on art. She also writes with elegance and verve on the subject of her own painting, on painting practice, and on how to look at visual art. Her generous and wise advice to a young painter is worth the price of this book alone. Caruso's is a unitary, clear, communicating voice, and she brings to the reader a marvellous and accessible vision of the essential nature of art in our lives. -- Source of annotation: Marvin or Ruth Sackner.
Work: Chapter 306 / Evason, Greg., 2000
This consists of diary entries on a single day from 5:17 a.m. to 3:08pm. It deals with his mother's concern about Evason's mental illness. -- Source of annotation: Marvin or Ruth Sackner.
Work Consistently and Uniquely / Suarez Londono, Jose Antonio., 1998
This text is an English translation of the essay by Elkin Restrepo in Suarez Londono's book, "Obra sobre Paper." Restrepo writes, "Through the character of his drawing, from the use of the petroglyph and the primitive symbolism (where the sketch, the styling, and the rhythm are the base of every representation), to the almost photographic, exquisite treatment of reality, Suarez creates a scale where only the figure is the foundation and the pinnacle. A type of representation where hierarchies and scales unite, and where forms, strokes, tones and images are intertwined...We remember the old Mallarme saying, "The universe is a book," especially as we find that, behind these diaries, notebooks, and sketch books, Suarez orders ideas of the infinite." -- Source of annotation: Marvin or Ruth Sackner.
Wormwood. No.14/Spr / Mark Valentine, editor ; Walser R ; Davenport G., 2010
Xylon. No.14/Feb / Hans Rudolf Bosshard., 1968
Includes texts by Heinich Rumpel about Hans Rudolf Bosshard's life and work, and by Hans Jorg Wuger about Bosshard's constructivist art work. Bosshard explains the development of his project dealing with variations on a cube. -- Source of annotation: Marvin or Ruth Sackner.
Yester'n' Today / Kriwet, Ferdinand ; Apollinaire G ; Mallarme S ; Mon F ; Schwitters K ; Nauman B ; Joyce J ; Fahlstrom O ; Gomringer E ; Ulrichs T ; Wolf R ; Schulz CB ; Celan P ; Brock B ; Uecker G., 2011
This catalogue depicts copious illustratIons of his works througout his lifetime. It is mentioned that Kriwet wrote his first book, "Rotor," in 1961 as a continuous text without capital letters, stops and commas at age 19 years. This book is analyed on pages 53-55 by Christoph Benjamin Schulz. A 1981 solo exhibition was the last one for 23 years until 2004 when rgw BQ gallery in Cologne showed old and recent works. And until 2011 when the Kunsthalle Dusseldorf held this retrospective. Pages 57-103 depict examples of Kriwet's typewritten poetry beginning at age 14 years with convention poetry and progresssing to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Znamy a Neznamy / Apollinaire, Guillaume., 1981
This book consists of a translation of Apollinaire's poetry into Czech language. -- Source of annotation: Marvin or Ruth Sackner.