Calligraphic markings
Found in 793 Collections and/or Records:
Hanged Man Series / Dana, Llys (aka Jacques Juin)., 1994
Hanne Darboven, 1982
[Happy Birthday] / Helmes, Scott., 2004
Happy Birthday Ruth / Helmes, Scott., 2011
This was a gift from Helmes to Ruth Sackner on her 75th birthday. -- Source of annotation: Marvin or Ruth Sackner.
Happy Birthday! to Marvin / Helmes, Scott., 2000
Happy Holidays / Genis, Gina., 1993
Hat. No.2/Oct / ross priddle, editor ; Bertola C., 2003
Hat is stored with its predecessor publication, "VAN." This issue was out of print and unavailable; its cover was downloaded from the Hat website. -- Source of annotation: Marvin or Ruth Sackner.
Heim Kehr Reim, 2002
Most of the pages consist of a listing of German villages that are printed on the left side of the page. The right side consists of handwritten calligraphic markings and ideograms. Although five copies of the book were made, each is actually unique since the calligraphy varies from one to another. The last six pages provide documentation for the book. -- Source of annotation: Marvin or Ruth Sackner.
Here To Go: Planet R-101, 1982
Here to Go: Planet R-101, 1982
Gysin is interviewed by Wilson, with an introduction by William S. Burroughs. They discuss Morocco, magic, science, literature, painting and music. -- Source of annotation: Marvin or Ruth Sackner.
Hidden Agenda / Brater, Meryl., 1991
Hieroglyphen Karte 1 von 10 / Schuldt., 1988
[Hieroglyphics] / Nadau, Jean-Pierre., 2007
Hieroglyphics Serie A-E / Schuldt., 1988
Hokyo Zan Mai / Lalou, Frank., 1993
The drawings that depict the text of the Haiku poems are also illustrated in an abstract manner by Lalou. They were executed on heavy Fabriano paper. The large bold brush strokes that are done on several pages undoubtedly relate to Japanese calligraphers. The drawings are meant to be rotated in the case for visual display. -- Source of annotation: Marvin or Ruth Sackner.
Homage to Wallace Berman / Hirschman, Jack A.., 1980
Horrendo Man I / Torres, Edwin., 1984 - 2012
Torres wrote to the Sackners that the drawing for this print was a calligraphic comic made with black & red india ink, rapidograph pen, x-acto blade, enamel coated glossy paper, glue. It depicts meticulously precise letterforms with minimally rendered characters in freeform angles offset by geometrics.The text was inspired by rap music, H-Man is a superhero-Buddha fighting war with peace in sound bites as follows. Look...it's Horrendo Man. "Amma break yo face!" "Amma break yo case!" Just wait now, fellas! "Amma git'ma gun!" "Ammo keel ya!" Hey mates, don't gestulate... you gotta R.B. so just postulate! Amma king a calm, that's no brag-a-dag, bro! Chill, you mutual quads, you facin' Horrendo! -- Source of annotation: Marvin or Ruth Sackner.
Horrendo Man II / Torres, Edwin., 1984 - 2012
In a communication to the Sackners, Torres states that this print is a calligraphic comic made by scanning the original drawing that used black & red india ink, rapidograph pen, x-acto blade, enamel coated glossy paper, and glue with meticulously precise letterforms with minimally rendered characters in freeform angles offset by geometrics. The text was inspired by rap music, H-Man meets his villain BauBug with a cryptic "to be continued" at the end. Horrendo Man meets Bau-Bug. Don't be callin' me no louse. Amma froma BauHouse. Amma muncha people,too! Bau-Bug is afta you! "Translate the slate, Jack...that bug is wack!" Hey mates, constructivate, Moholy-Nagy's no holy fate! This Mister Motown's onna motel kick. He's an overgrown Geometric. "Pardon me, Si Cumference...go drug yo jug. If radiance could fly, it be I...Bau-Bug!" 2-B Scene -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: Language of Boquets. No.19/May / Charles Bernstein., 1991
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
Hydrax x 1500 / Claire, Paula., 1974
Published in Codesigns, Writers Forum, 1976. First performance at National Poetry Center, October 15, 1974. -- Source of annotation: Marvin or Ruth Sackner.