Calligraphic markings
Found in 793 Collections and/or Records:
Llys Dana Post / Dana, Llys; Horus; Horus; Jupitter-Larsen G; RA; Lassire E; Pissier P; Cavellini GA; Marlow J; Baroni V; Pegase; Olbrich JO; Carrion U; Daligand D; Pelieu C; Crozier R; Harley; Tillier T; Riemann A; DaRiz M; Spiegelman L; Bleus G; Dogfish; Luigetti S; Boumans B; Rastorfer JM; Pittore-Eurifico C; Vitacchio A; Dana L., 1982
Although this work was projected to be a periodical, this issue was the only one that was published. Each card is numbered, usually signed, and has Llys Dana rubberstamped on the verso. -- Source of annotation: Marvin or Ruth Sackner.
Logbook, 1972 - 1974
This edition includes a signed print by Pierre Alechinsky. Several of Dotremont's drawings are titled enabling a reading of the obscure calligraphic renderings. -- Source of annotation: Marvin or Ruth Sackner.
L'Oiseau Noir / Lemaitre, Maurice., 1991
[Luck] / Bennett, John M. ; Helmes, Scott., 2001
This collaboration combined the rubber stamping of Helmes with the unique hand writing of Bennett on each page. The work was completed at the poets' residency at the Florida Art Center. -- Source of annotation: Marvin or Ruth Sackner.
Luminous Manuscript / Biblical Species / Samuels, Diane ; Doner, Michele Oka., 2004
Arnold Lehman contributes an opening essay on the methodology and background of Diane Samuels Luminous manuscript. In it he quotes Samuels as explaining that "arranging an alphabet in an order is an original cultural act. Repeating the alphabet represents a basic ordering and care for language that is possible to all. An Issac Luria story tells of his meeting a man whose prayers were particularly efficacious. The man could not read or write but he could recite the alphabet, so he asked God to take his letters and form them into prayers." The Sackner Archive holds this book by Samuels in which each stitched page displays this saying in a different language. -- Source of annotation: Marvin or Ruth Sackner.
Luogo di: Incontri, Mostre, Richerche, Dibattiti , 1984
The background depicts Cattania's drawing, Yantra. -- Source of annotation: Marvin or Ruth Sackner.
[LVNG], 2000
[Man Riding Deer] / Serafini, Luigi., 1980
This print was taken from the artist's Codex, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[man & woman in window] / Gluschenko, Alexander., 1998
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Manifesto Dream / Salzberg, Brian., 1989
Many Happy Days / Fella, Edward; Bates, Lucy., 2006
Map of the Interior/Gold Leaf Fingerprints / Genis, Gina., 1994
Each drawing that depicts enlarged fingerprint in golf leaf with interspersed calligraphic markings was done on bark paper. Genis designed and made the folders and slipcase. -- Source of annotation: Marvin or Ruth Sackner.
Mare Sole / D'Egidio, Biagio., 1982
Marginalia / Ferretti, Eugenio., 1993
Marvin's birthday haiku on 16th 10 / Helmes, Scott., 2010
Gift from Helmes to Marvin Sackner on his 78th birthday. -- Source of annotation: Marvin or Ruth Sackner.
[Meeting of the Sackners with Qotbi] / Qotbi, Mehdi., 1984
The finely printed etching in blue colored ink contains an image of a hanging man (taken from a Tarot card?) in its center section. -- Source of annotation: Marvin or Ruth Sackner.
Meilleurs Voeux De Aude Et Jacques Pour 1968 / Spacagna, Jacques; Jessemin A., 1968
Aude in the title refers to Aude Jessemin, Spacagna's first wife. -- Source of annotation: Marvin or Ruth Sackner.