Calligraphic markings
Found in 793 Collections and/or Records:
NNCCOORRNN / Bennett, John M. ; Topel, Andrew., 2005
Nomadic and Archeological Scriptures / Luis, Carlos M.., 2009
Part two of this book is titled "Palimsests for Ubu." -- Source of annotation: Marvin or Ruth Sackner.
Non-Sectarian Crucifixion / levy, d.a.., 1964
Image is an oil paint semi-realistic sketch of an individual held on a crucifix. The major colors are browns on a white primed background. Geoffrey Cook who owned the painting wrote to the Sackners that "although d.a. was most secular, he was deeply aware of his Jewishness: 'I am a levy of the levites,' and did not wish to have these paintings seen totally in a Christian historical context. I believe, though, levy was drawn to the suffering represented in our own culture by the icon of the cruxifixion because of the suffering he actually felt in his own life. I don't think that the markings below to the right have a significance, I believe they can be explained by the action painting technique." -- Source of annotation: Marvin or Ruth Sackner.
Notebook 1 / Atchley, Dana ; Cobbing B ; Hendricks G ; Higgins D ; Houedard DS ; Johnson R ; Meyer T ; Newman I ; Ockerse T ; Sharits P ; Solt ME ; Hompson DD ; D'Agostino G ; Varney E ; Williams J ; Lee-Nova G ; Weege B ; Williams E ; MacLow J ; Filliou R ; Topor R ; Hendricks B ; Blei N ; Hejinian L ; Morris M ; N.E. Thing ; Tarasoff V ; Topor R ; Filliou R ; deRidder W ; MacLow J ; Williams E., 1970
This book was done while Atchley was teaching at the University of Victoria (1969-1971) in Canada. Although Atchley had a background in fine printing and typesetting, he had dabbled in xerography in Baltimore and conceived of this book as a xerox project. He bought 250 empty three ring notebooks and invited all his friends to contribute up to 10 pages, 250 copies of each page. To encourage participation, the invitation stated that all pages would be included without editing. By the end of the year, there were about 60 contributors. Dana Atchley's "Notebook 1," an assembling, was published in March 1970 about the same time as Assembling No.1, edited by Kostelanetz and Korn.The envelope within the notebook contains ten Fluxus performance direction sheets. -- Source of annotation: Marvin or Ruth Sackner.
[Notebook Pages] / Crumb, Charles., 1997
The letter from Jeffrey Weinberg of Water Row Books offers a notebook by Charles Crumb to Marvin Sackner. The covers and eight pages are reproduced as photocopied colored sheets. These depict obsessive dense, linear calligraphic markings as well as scattered cartoon-like head portraits. Unfortunately, the book was sold prior to the Sackners offer. -- Source of annotation: Marvin or Ruth Sackner.
Nothing Doing in London. No.2 / Ono Y., 1968
O, 2005
O, Vozque Pulp / Luis, Carlos M. ; White, Derek., 2004
The images were drawn by Luis and the text was written by White. -- Source of annotation: Marvin or Ruth Sackner.
Oeuvres Croisees / Butor, Michel ; Aliahrinsky P ; Appy F ; Baltazar J ; CasmiroDeOliveira M ; Kolar J ; Masurovsky G ; Parant JL ; Peverelli C ; Pouperon P ; Qotbi M ; Rhee SJ ; Sicard M ; Villers A., 1984
The photograph depicts Butor and Qotbi. Michel Sicard contributed an essay in which he defiined the types of work that Butor entered into a collaboration with artists. -- Source of annotation: Marvin or Ruth Sackner.
Offenbares Geheimnis / Atabay, Cyrus ; Reichart, Josua., 1987
Contains calligraphic arabic-like gestured markings by Reichart. -- Source of annotation: Marvin or Ruth Sackner.
Old Text Revisited (Horizontal), 1984
Omaggio a Burri / Caruso, Luciano., 1992
Omaggio a Cangiullo, 1990
On the Road / Stetser, Carol., 2004
The verso of each card reaads, Artist Trading Card by Carol Stetser; 2004 Road Series. The title card is inscribed, "The calligraphic tracings of tar filling the cracks in the asphalt road." The string on the top of the enclosure is placed for hanging on a wall. -- Source of annotation: Marvin or Ruth Sackner.
Once upon a Time / Jackman, Sandra., 1999
Thnis is a New Year's greetings and message from Jackman to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.