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Calligraphic markings

 Subject
Subject Source: Sackner Database

Found in 793 Collections and/or Records:

Schrebgeransde / Axel George Malik., 2000

 Item
Identifier: CC-38930-40862
Scope and Contents

The sound of the compact disc is the sound of writing on paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Scratches / Harris, Ken., 1999

 Item
Identifier: CC-39833-41797
Scope and Contents

Harris's calligraphic drawings are reminiscent of those done by Brion Gysin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Script reScript, 1999

 Item
Identifier: CC-36321-38111
Scope and Contents

Each drawing consists of black, hand drawn letters or letter forms with the addition of red, blue, yellow or green hand painted abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Scriptures / Mills, Neil., 1971

 Item
Identifier: CC-47686-68704
Scope and Contents Designated Writers Forum Number Ten. Mills writes: "That poetry developed language as medium of perception or experience with the coming of the printed poem, when poetry was first known to young men as a silent thing, when a poet could be a poet & never read aloud, the bard died away, but not extinct. That language as object of perception or experience, that is modulation of human voice as carrier of poetic truth rather than semantically induced mental pictures, or, in visual terms, the magic of the written sign, in 20th century urban environment made explicit, was implicit always in the spoken chant or poem & the awe of the rune. That these 2 languages can lead to very different poetries, as regards emphasis on word as semantics, but.as regards poetry as meaning in other than semantic terms, this theoretical division is useless, that sound poetry as such is an extraction from all poetry that has ever been written or recited, that poetry has always been music when spoken,...
Dates: 1971

Scritture: Dal "Liber de Broliis". No.2 / Luciano Caruso., 1989

 Item
Identifier: CC-02104-2142
Scope and Contents

Stored in SCS box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Scritture: IT IS / Guillot, Anna ; Failla S., 1994

 Item
Identifier: CC-39641-41600
Scope and Contents

Salvatore Failla provided a critical analysis of Guillot's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Sea Poem / Lax, Robert ; Antonucci E., 1966

 Item
Identifier: CC-53679-56593
Scope and Contents

Three loose sheets, oblong, approx. 17 x 11 inches plus a stiff backing sheet, all held together by a plastic binder. The top purple sheet has a wave form without words. The inner sheets have a title page, then handwritten text by Lax in his characteristic one word lines & drawings by Antonucci. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

[Season's Greetings] / Hatherly, Ana., 1984

 Item
Identifier: CC-09741-9934
Scope and Contents

A square of black ink writing is overlaid with brown ink writing. The handwritten greetings are on the verso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Selected Books Ninetytwo to Ninetysix / Sackett, Colin., 1997

 Item
Identifier: CC-43346-45406
Scope and Contents

This book annotates a selection of Sackett's books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

senza titulo 3 / Pavanello, Giancarlo., 1997

 Item
Identifier: CC-60795-10003649
Scope and Contents

Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Sette Fogli: Una Collezione Occulta / Bussotti, Sylvano; Cardew C; Neuhaus M; Boehmer K., 1963

 Item
Identifier: CC-21038-21447
Scope and Contents

Each print is a chamber music piece that was coposed in 1959. According to the editor, "these pieces are intended to evoke immediate and spontaneous interpretation by the players. There is no precise explanation of markings, a given marking is self-explanatory, or is explained by virtue of its 'magic' origin. The degree of paralelismthat can be attained between signs and their acoustic realization will create the occult attraction of every imaginative realization process. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963