Scope and Contents

This annual gift to the Sackner Archive shaped like a tea cup, is filled with two tea bags with labels that read sinceri TEA and integri TEA. The third object is a red stuffed heart with a Jan Baker Text Tiles label. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This annual gift to the Sackner Archive shaped like a tea cup, is filled with two tea bags with labels that read sinceri TEA and integri TEA. The third object is a red stuffed heart with a Jan Baker Text Tiles label. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This drawing is subtlely structured in a grid twelve squares. The English title of this drawing is "Tiled Roof." The calligraphic marks resemble micrographic writings in a made-up alphabet. Sarduy used black, gray and red for his markings, but the work seems infused with color and light. Sarduy died of AIDS in June 1993. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On his WEB site, Stenhouse writes, "Working in a Glasgow Architect's Practice made architectural modernism my initial visual language, however I became disillusioned by the architectural profession and subsequently concentrated on fine art, eventually graduating in drawing and painting. What I saw as the passivity of painting (particularly illusionist painting) led me to explore the tangibility of painting, this developed into structuralist work and eventually into 3-dimensions. I began making sculpture which was 3-dimensional colour compositions, these moved into the concept of sculpture as non-functional architecture. At this time most of my work was concept driven and formalist, however some work was produced which had autobiographical and sociological references. Part of the fascination for me in producing the Colour Maquette series was that despite the formal driven compositions, they took onto themselves a great variety of humanistic aspects. While continuing the Colour...

Scope and Contents

Each page reproduces a dense black, painted, expressionistic calligraphic drawing with the letter 'O' discernible on some of the pages. The last page is the only page with recognizable printed typography and reads "YOU/EAT/TO/DAY." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990) [labeled Text XV]. The drawing is printed upside down in Visual Poems 1967-1970 (1990). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) but not in Clemente Padin's "Visual Poems 1967-1970" (1990). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) but not in Clemente Padin's "Visual Poems 1967-1970" (1990). Note that another Texto XV is depicted in Ovum 10 No.5, Dec 1970 as well as Texte XII neither of which is held as a drawing by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) but not in Clemente Padin's "Visual Poems 1967-1970" (1990). It is mislabeled in Visual Poems 1967-1970 (1990) as Texto XVI when it should have been Texto XVIIa. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990) but is mislabeled in the latter as Texto XVI. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990) but is mislabeled in the latter as Texto XVII. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This Haggadah is a Hebrew manuscript facsimile of the mid-15th century from the collections of the British Library written and illuminated by Joel Ben Simeon called Feibusch Ashkenazi with a commentary attributed to Eleazar Ben Judah of Worms. Introduction, notes on the illuminations, transcription and English translation by David Goldstein. -- Source of annotation: Marvin or Ruth Sackner.