Calligraphic markings
Found in 793 Collections and/or Records:
The Blur / John M. Bennett., 1987
The Clouded Rope / Evason, Greg., 2007
The Creative Stroke / Emery, Richard, editor ; Chermayeff I ; Cusick R ; Goswell J ; Maisner B ; Pettis R ; Waters S ; Skarsgard S ; Beltran F ; Waters J., 1992
This book demonstrates the integration of the freehand brush and pen stroke with modern applied graphic design. It is divided into the following sections, 1) media advertising and direct mail, 2) packaging, 3) covers & posters, 4) corporate ID, and 5) gallery. -- Source of annotation: Marvin or Ruth Sackner.
The Effect of Communication / Powell, David., 1989
Each page of this book depicts a framed, surrealistic image of a person in profile that has been defaced by calligraphic and abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
the eschenau summer press & temporary travelling press publi: Collected Notes - Observing Birds. No.43 / Ted Purves., 1999
The Exterminator / Burroughs, William S. ; Gysin, Brion., 1960
The text was written by Burroughs, the poems and calligraphic drawings were composed by Gysin. This book, a first edition, was published later in 1967 as a second edition. Includes four pages of Gysin's calligraphic drawings, rendered in black ink, dated 1960 that are in same style as Gysin's book of drawings "Exil" held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Flip Side of Language / Houedard, Dom Sylvester; Joyce J; Finlay IH; Roth D; Cobbing B; Chopin H; Heidsieck B; Jandl E; levy da; Bayer K; Morgan E; Berge C; Jochims R; Mayer HJ; Bense M; Rawlinson A; Szuter T., 1966
Charles Cameron writes that these pages are "numbered by hand, with many dsh correx + typesetter's markups for 'the flip side of language' -- looks like it might be dsh's entry for the issue of the Oxford mag ISIS on concrete poetry which I edited, but I don't have a copy for comparison & it's hard to say..." This essay appeared in ISIS No.1507, 1966, a periodical hels by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Flip Side of Language / Houedard, Dom Sylvester; Joyce J; Finlay IH; Roth D; Cobbing B; Chopin H; Heidsieck B; Jandl E; levy da; Bayer K; Morgan E; Berge C; Jochims R; Mayer HJ; Bense M; Rawlinson A; Szuter T., 1966
This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Language of Stone / Shepp, Alan., 1992
The works by Shepp consist of poetic images in stone sculptures. -- Source of annotation: Marvin or Ruth Sackner.
The Letters Between Us / Helmes, Scott., 1999
In this continuous line drawing, stylized r's and m's are barely discernable. -- Source of annotation: Marvin or Ruth Sackner.
The Maenads, 2011
The Mark Paintings 1977-79 / Lee, Catherine., 2008
The Moons of Jupiter / Griffiths, Bill., 1978
[the order/odor old] / Debevoise, Clay., 1998
The Oxygen of Truth [volume 1] / Gaze,Tim ; Leftwich J ; Michaux H ; Dotremont C ; Vleeskens C., 2001
Gaze explains in his introduction that his texts are improvised asemic texts which means no semantic content. Composed of writings from other languages and made up works by the artist, they incorporate writing and an infra-verbal level. Gaze notes that asemic texts have no writer-intended meaning. "If you the viewer perceive a meaning, you've created that meaning yourself." -- Source of annotation: Marvin or Ruth Sackner.
The Oxygen of Truth [volume 2] / Gaze,Tim ; Leftwich J., 2001
Artists response to Gaze's work is published as part of "A Symposium Emerging from Tim Gaze" is added as an afterward. It was organized by JIm Leftwich and probably wholly written by Leftwich for the "Institute for Study and Application at Kohoutenberg." -- Source of annotation: Marvin or Ruth Sackner.
The Red Earth Series Nos. 8, 7, 6 / Connell, Clyde., 1991
The Shit of God / Galas, Diamanda., 1988
This book consists of the texts of Galas' performances; it includes photographic reproductions of Galas in her various roles. Galas uses her voice to evoke the profound suffering and isolation of the human condition as it confronts AIDS and insanity. -- Source of annotation: Marvin or Ruth Sackner.
The Tables of Jupiter / Ely, Timothy ; Ernst M ; Sackner MA ; Sackner RK., 2004
This catalogue includes an essay and interview with Ely by Ian Boyden, Director of the Sheehan Gallery. The illustrations are reproduced from the book with the same title as the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
this is for silly pretty Jo... / Verey, Charles., 1970
This drawing has a hand-numbered 3 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.