Scope and Contents Wikipedia: Ludwig Zeller Ocampo (1927-) is a Chilean, surreal visual artist/poet ow living in Mexico. His father came from Chile from Germany to work as a manufacturer of dynamite to the copper mines. From childhood he was a voracious reader and thanks to that learned poetry. Along with his first wife, Wera Zeller, translated to Spanish German Romantics. He was a cCutting-edge innovator and directed the Gallery of Ministry of Education in Chile from 1952-1968. That same year he left the gallery, founded the literary magazine and the Moon Coffee House in Villavicencio Street in Aubrey neighborhood of Santiago. In 1970, he organized the exhibition Surrealism in Chile in the Catholic University, which, in addition to his works, exhibited those of Roberto Matta, Nemesio Antunez, Enrique Zanartu, Opazo Rodolfo Sepulveda Viterbo, Valentina Cruz, Susana Wald and others. He left Chile the following year, along with his wife, artist Susana Wald, and three of her four children. They...

Scope and Contents

This complex sculpture is composed of three sections hinged together resembling an alter piece. The two lateral elements contain hand drawn, collaged wooden pieces inserted on the front edges that can be pulled forward with a string. The entire work, front and back, is covered with Seille's unique handwriting and line drawings on paper collaged onto the wooden structure. The wooden base is actually the shipping crate Seille made and used to send the triptych to the Sackner Archive. The interior base is collaged with an original drawing, and the crate is so beautifully crafted that it serves perfectly as a base for the sculpture. -- Source of annotation: Marvin or Ruth Sackner.

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This issue features reproductions, in black and white, of several of Dubuffet's drawings and calligraphic texts. It also includes several texts calligraphed by the Dienst brothers. -- Source of annotation: Marvin or Ruth Sackner.

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This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. The signer (Michael Heinze) of one of the copies appears to be its initial owner. The other copy is unsigned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. The Diensts' redesigned the letters in Allen Ginsberg's poem, "To an Old Post in Peru" so that the A became a triangle, the I an elongated rectangle, and the E three parallel lines. Its signer (Michael Heinze) appears to be its initial owner. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. The Diensts' redesigned the letters in Allen Ginsberg's poem, "To an Old Post in Peru" so that the 'A' became a triangle, the 'I' an elongated rectangle, and the 'E' three parallel lines. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. -- Source of annotation: Marvin or Ruth Sackner.

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This issue consists of poems in English accompanied by translations in German. -- Source of annotation: Marvin or Ruth Sackner.

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This issue, No.9, as well as No.10, present the most highly experimental calligraphic texts of the ten issues in the run. In several instances, the calligraphers have designed new alphabets for the texts. Translations of English to German texts in this issue was done by Anselm Hollo. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue, No.10, as well as No.9, present the most highly experimental calligraphic texts of the ten issues in the run. In several instances, the calligraphers have designed new alphabets for the texts. -- Source of annotation: Marvin or Ruth Sackner.

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This drawing on orange paper depicts leaves arranged symmetrically radiating from the center outward. The leaves are formed with written letterforms in red ink and intersperced vertical spokes with printed letterforms in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

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This DVD depicts several calligraphic pieces written on paper. -- Source of annotation: Marvin or Ruth Sackner.