Calligraphic text
Found in 2969 Collections and/or Records:
Secret Anatomy n 7, 2006
Secundo Libri Sulle Tangenti / Miglietta, Enzo., 1993
The images composed with red and black inks depict circles and polygons of varied sizes. -- Source of annotation: Marvin or Ruth Sackner.
SeeSaw / Sloy., 2002
Segnalibro / Caruso, Luciano; Martini SM., 1986
The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.
Segnalibro / Caruso, Luciano; Martini SM., 1986
The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.
Segnalibro / Caruso, Luciano; Villa E., 1992
Segnalibro / Luciano Caruso., 1994
The verso lists books by other authors that are published by Belforte. -- Source of annotation: Marvin or Ruth Sackner.
Segnalibro / Luciano Caruso., 1994
The verso lists books by other authors that are published by Belforte. -- Source of annotation: Marvin or Ruth Sackner.
Seizure I, 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Seizure II, 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Selected Correspondence of Kenneth Patchen, 2012
From the introduction by Allen Frost: " This is the inspiring story of a supreme artist absolutely committed to his dream. Kenneth Patchen's Painted Books, novels, prophecies and poems are a testament to life and hope. However this is also a tale of the adversity he faced: monetary critical neglect, and a physical pain that kept him bedridden for much of his life. Often reading these letters, the path of Kenneth Patchen's life can be drawn following his own words, in a philosphy that he established early on, "It's always because we love that we are rebellious..Patchen is revealed here as the beloved rebel poet whose refusal to accept boundaries led to his innovations in poetry and prose as well as painting and jazz." The Sackner Archive holds contians among other works, several Patchen's books with painted covers. -- Source of annotation: Marvin or Ruth Sackner.
Selected Visual Poems / Segay, Serge ; Nikonova R ; Scherstjanoi V., 1997
The earliest work in this sampling of Segay's visual poems is dated 1973 and the latest 1997. Most pages of the soft cover book consist of black paper with stylized cut out letters that form a text which is collaged to the white pages. One collage in the book was done as a collaboration among Segay, Nikonova, and Scherstjanoi. The material is enclosed within a handmade portfolio, held together by thick black laces with gold foil at the tips. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Semiautomatic: Body Factory Landscape Language. No.2 / Jason Keehn., 1981
Each page has a dense visual poem printed on heavy stock, grey paper. This is a different publication than the periodical with the same title published in the nineties out of Athens, Georgia. -- Source of annotation: Marvin or Ruth Sackner.
Sense 1999-2009 / Perjovschi, Lia., 2008
This book was published at the time of the third Bucharest Biennale in 2008 and is a first edition. The handwritten texts generally eminate from the center of the pages. The author writes that "Sense is a project of 10 years interdisciplinary research for a Knowledge Museum." -- Source of annotation: Marvin or Ruth Sackner.
[senza titolo e senza data] / Pavanello, Giancarlo., 1993
Serie La Polemique Artistique III / Lemaitre, Maurice., 1991
Serie "pensees sur le lettrisme" / DuPont, Albert., 1989
Serif. No.3/Fall / Kindersley D., 1995
Includes an article on the differences in Caslon fonts distributed by various font houses. -- Source of annotation: Marvin or Ruth Sackner.
[Seules les Feuilles Mortes] / Strid, Astrid., 1996
A dried leaf is stitched onto black paper and a poem in French is handwritten in white ink around the top edge and on the side. -- Source of annotation: Marvin or Ruth Sackner.
Seven Definitions: Pertaining to Ideal Landscape / Finlay, Ian Hamilton ; Nash, John R.., 1991
The definitions are taken from quotations in the classic literature. -- Source of annotation: Marvin or Ruth Sackner.