Calligraphic text
Found in 2969 Collections and/or Records:
The Codebreakers: The Story of Secret Writing / Kahn, David., 1967
the complicated bird / Houedard, Dom Sylvester., 1968
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns. The Archive also holds this print backed on museum board. -- Source of annotation: Marvin or Ruth Sackner.
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns and several circles with optical effects from interlacing short lines. This print is depicted on page 44 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
The Cranes Tower over Our Terrain / Fleming, Joseph., 1992
The Creative Stroke / Emery, Richard, editor ; Chermayeff I ; Cusick R ; Goswell J ; Maisner B ; Pettis R ; Waters S ; Skarsgard S ; Beltran F ; Waters J., 1992
This book demonstrates the integration of the freehand brush and pen stroke with modern applied graphic design. It is divided into the following sections, 1) media advertising and direct mail, 2) packaging, 3) covers & posters, 4) corporate ID, and 5) gallery. -- Source of annotation: Marvin or Ruth Sackner.
The Difference between a House... / Finlay, Ian Hamilton; Stewart, Mark., 1987
In this poem contrasts the styles of two architects, Voysey and Lutyens. -- Source of annotation: Marvin or Ruth Sackner.
The Doors, 2000
The Dull Brethren / Lewty, Simon., 1984
A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.
The East Village: A Poetic Inventory / Kostelanetz, Richard., 1975
This unpublished work is a verbal map of the East Village, New York City. It is written in the same style as Kostelanetz's "Portraits From Memory," a book that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Eight: Fragments of Letters to the World / Cutler-Shaw, Joyce., 1976
The End...da cui cenere e inizio , 1988
The End...di cui cencere e inizio..., 1988 / Guillot, Anna., 1992
Reproduces and describes the painting of the same title which is held by the Sackner Archive -- Source of annotation: Marvin or Ruth Sackner.
The Environment, 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
the eschenau summer press & temporary travelling press publi: notebook. No.46 / Robert Lax., 2001
This book is a reproduction of one of Robert Lax's notebooks. -- Source of annotation: Marvin or Ruth Sackner.
the eschenau summer press & temporary travelling press publi: Red Blue. No.41 / Robert Lax., 1999
Each page consists of the single printed word, "red" or "blue" handwritten in that color. -- Source of annotation: Marvin or Ruth Sackner.
The Evolution Of English / curry, jw., 1981
This is the another version of this poem that was also written in 1979. Both versions are held by the Sackner Archive. In a vertical format, the word, "word" is first printed, then written, then scrawled, and finally rendered illegible as the handwriting progressively disintegrates. -- Source of annotation: Marvin or Ruth Sackner.
The Field Names of Oxfordshire / Claire, Paula ; Spencer, Isabelle., 1981 - 1991
The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.
The Final Brief Case / Sloy., 1997
The drawing forms one surface of a postcard. -- Source of annotation: Marvin or Ruth Sackner.
The Footsteps Of The Returning King / Wagner, D.r. ; O'Connelly B., 1968
This book is a printed facsimile of Wagner's manusript. -- Source of annotation: Marvin or Ruth Sackner.