Calligraphic text
Found in 2969 Collections and/or Records:
There Is No End to Disbelief / Barron, Susan., 1990
These Other Traditions of American Poetry / Bernstein, Charles., 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibitoin was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Things I wanted to Tell You / Merola, Kristen., 2010
Thinking Out Loud / Gissler, Gary., 1999
Thirteen Mad Sonnets / McClure, Michael., 1964
[This is a romantic story about Ruth and Marvin] / Weber, Marjorie., 1996
Marge Weber wrote a story illustrated by a page of text and images on a Persian page. She presented it to the Sackners for their 40th anniversary. -- Source of annotation: Marvin or Ruth Sackner.
This Is a Small Little Present / Carrega, Ugo., 1982
this is for silly pretty Jo... / Verey, Charles., 1970
This drawing has a hand-numbered 3 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.7/Mar / Edward Kulemin., 2010
On the back cover, it is stated Kulemin that was Born in Russia (1960), - an artist, poet, author of many realised and unrealised projects out of definite esthetics; - an inspirator and organiser of various communication creative societies (KEPNOS, Group of Unknown Artists, Smolensk School of Appologists, etc.); - a participant of some poetic actions, exhibition and seminars (Russia, Germany, USA, France, Italy, Norway, Belgium, Macedonia"¦). - an author of the books: "It seems to have begun" (1994), "Odnohujstvenny Ulysses" (1995), "By the artificial way" (1998), "Multimatum" (2002). Publications: Mitin Magazine (Russia), Chernovick (New York- Moscow), Humanitarian fond (Russia), Limonka (Russia), "The Smolensk fortress" (collection, Russia), Cool-Strip-Art-Antology (Macedonia), Fiera Lingue (Italy), Risvolti (Italy), Another hemisphere (Russia), Slova (Russia). -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.10/Mar / Alexander Oiko., 2010
On the back cover, it is stated that Alexander Oiko was born in 1987 and lives in Khabarovsk, Russia. His works are published in such magazines as "Drugoe Polusharie", "Chernovik" and are the part of my book "Pyatna" ("Spots"). Besides visual poetry, he creates sound poetry and ZAUM. I regret very much that russian futurists of the beginning of 20th century have been forgotten undeservingly on their motherland. My creation is often called avant-garde? But I think, that mass-poetry hasn't been developing since 19th century. In my opinion, visual poetry shows author's feelings and makes images brighter. Visual poetry should be a standard and should become mass-poetry. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.19/Apr / John M. Bennett., 2010
On the back cover, it is stated that John M. Bennett has published over 300 books and chapbooks of poetry and other materials. He has published, exhibited and performed his word art worldwide in thousands of publications and venues. He was editor and publisher of LOST AND FOUND TIMES (1975-2005), and is Curator of the Avant Writing Collection at The Ohio State University Libraries. Richard Kostelanetz has called him "the seminal American poet of my generation". His work, publications, and papers are collected in The Museum of Modern Art and other major libraries and institutions. His PhD (UCLA 1970) is in Latin American Literature. Ars Poetica: "Be Blank -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.23/Apr / Misha Magazinnik., 2010
On the back cover and internet, it is stated that Misha Magazinnik was born in the "former" USSR & has been living in the US for over 20 years. He is a member of vy da vy sindikat artist collectvie (vydavy.com), co-founder of NY-based experimental Russian-language publication "Magazinnik" (magazinnik.com). His translations, poetry, visuals have been published in the US, Australia, Europe & Russia; his artist books are in private collections. Some images in this book are collaborations with Felix Davelman, Masha Magazinnik & Timosha Magazinnik. Aleksei Kruchenykh is the source of it all! Misha says: "Mostly mixed media collages plus finger-paint with organic alphabet pasta." -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.48/Jun / Jane Dunnewold., 2010
On the back cover, Jane Dunnewold writes, I am self-taught. I am especially interested in writing and making as integral aspects of the creative process. Works begin as white silk and are transformed through dyeing, painting, drawing, and screen-printing with sand. I seek a whole larger than the sum of the parts and am currently intent on discovering what it takes for a visual surface to be perceived as poetic. I write about the creative process at existentialneighborhood.blogspot.com, and authored Art Cloth: A Guide to Surface Design on Fabric (Interweave 2010). I maintain Art Cloth Studios in San Antonio, Texas, and teach a dozen workshops a year. My website is complexcloth.com. Cover: Meditation One; the writing reads: Live in present time. / Seek only the Truth. / Surrender your will to God. / Love is the only true power. / Honor thyself. /Honor one another. / All is One. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.49/Jul / Michael Basinski., 2010
This is Visual Poetry. No.54/Aug / Luc Fierens., 2010
This is Visual Poetry. No.55/Aug / Martha Deed., 2010
This is Visual Poetry. No.72/Nov / Sveta Litvak., 2011
Sveta Litvak has studied at Ivanovo art school. Lives in Moscow. Had some personal exhibitions at ZVEREV center of modern art. Poet well-known in literary underground, member of Moscow club "POEZIA", the author of several books. Some poems are translated by American, English, Serbian and Romanian poets. The organizer and artist of Club of literary performance, issues a samizdat magazine of literature and art. Works in mail art, book art, visual poetry, video. The participant of Art-Festivals in Russia, Ukraine, Estonia, Serbia, Romania. Sveta says: "Exercises for attentive or superficial view and for inner speech also. Most of them want to be ritual. Sometimes they look like schemes and sometimes like a dance." -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.77/Jun / Jeremy Ballus., 2012
Jeremy Balius was born in Dallas Texas, raised in Giessen Germany, educated in Los Angeles California, lived in Berlin Germany and has called Fremantle Western Australia home for the last eight years. His asemic pieces have appeared in The New Post-literate. He is the author of wherein? he asks of memory (Knives Forks & Spoons Press, UK) and looks after Black Rider Press. -- Source of annotation: Marvin or Ruth Sackner.