Calligraphic text
Found in 2969 Collections and/or Records:
[Untitled], 1998
Each page consists of highly stylized, black ink, Cyrillic letters drawn in thirteen lines per page. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled], 1997
A portion of the inked Syriaque letters are overpainted in white that either obliterates some letters or covers them in a veil of paint. In addition, fine red lines are painted across the entire surface in patterns of triangles, horizontal lines or parallel arcs. This work has a freer sensibility than earlier drawings by Moreau held in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] , 1998
[Untitled], 1996
This collage was reproduced in Signal No.18, page 5. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled 2], 1998
Taken from the Archive of O!!Zone 1998. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Adler, Jeremy., 1975
[Untitled] / Alfano, Carlo ; Chiari, Giuseppe ; Griffa, Giorgio ; Nannucci, Maurizio., 1980
[Untitled] / Apollinaire, Guillaume ; Phillips T ; Sharkey JJ ; Henri A ; Baruchello GF ; Blake P ; Finlay IH ; Chopin H ; Furnival J ; Cobbing B ; Cox K ; Heidsieck B ; Spacagna J ; Williams E., 1968
Contains reproduction of handcolored images of Apollinaire's calligraphic poems from the exhibition catalog of Irene Lagut/Leopold Survage, 1917, a book held by the Sackner Archive. The recording is of Apollinaire's reading of his poem "Le Pont Mirbeau," in 1914. -- Source of annotation: Marvin or Ruth Sackner.