Calligraphic text
Found in 2969 Collections and/or Records:
Bifids / curry, jw., 1983
This is a sketch of Peggy lefler's frontpiece for George Swede's Bifids. -- Source of annotation: Marvin or Ruth Sackner.
Big Letter Labyrinth / Wolf, Anna., 1991
This drawing was reproduced in Calligraphy Review 1992; Vol. 9: No.2: 52-55 in an exhibition review, written by Elizabeth Gand, of her show at Meridan Gallery, San Francisco. It was mistakingly entitled "Black Letter Labyrinth" in the review. -- Source of annotation: Marvin or Ruth Sackner.
Bijoux Aimi, 1990
Bill Jubobe, 1977
This work was made for a performance in Saarbrucken, West Germany, January 1977. -- Source of annotation: Marvin or Ruth Sackner.
Binding Together Cultures with Cords of Wit / Lloyd, Ann Wilson; Bing X., 2000
The reporter descibes the work of Xu Bing who invented "New English Calligraphy," authentic-looking Chinese ideograms that are actually English words. Strung together, they make sentences that appear to be Chinese but read as English. -- Source of annotation: Marvin or Ruth Sackner.
Bio-Geo-Metrika / Demur, Boris., 1990
Bird's Eye / Ansell, Michael ; Graham, Judy., 1987
Text was writtem by Graham, illustrations by Ansell, and calligraphy by Judythe Sieck. -- Source of annotation: Marvin or Ruth Sackner.
Bismarckzeit, 1979
[Black and White Scarf) / Jan Baker., 2003
The scarf has large calligraphic text on the white fabric outlined by a black background. -- Source of annotation: Marvin or Ruth Sackner.
[Black and White Scarf) / Jan Baker., 2003
The scarf design has 2 1/2 large circular calligraphic texts of diaristic phrases with a cross in mid-circle on a white background. -- Source of annotation: Marvin or Ruth Sackner.
[Black and White Scarf) / Jan Baker., 2003
The scarf has large calligraphic text on the white fabric outlined by a black background. -- Source of annotation: Marvin or Ruth Sackner.
[Black and White Scarf) / Jan Baker., 2003
The scarf design has 2 1/2 large circular calligraphic texts of diaristic phrases with a cross in mid-circle on a white background. -- Source of annotation: Marvin or Ruth Sackner.
[Black on white pillow cover] / Jan Baker., 2003
The pillow cover is hand lettered made with natural dye on cotton. The three fabric covered buttons on the back also contain Baker's distinctive calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.
[Black on white pillow cover] / Jan Baker., 2003
The pillow cover is hand lettered made with natural dye on cotton. The three fabric covered buttons on the back also contain Baker's distinctive calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.
[Black Skull Stamp Sheet] / Bennett, John M.., 1993
Blanc/Noir et Blanc / Cote, Michel., 1982
[Blatter] / Schodl, Greta., 1988
One man exhibition by Richard Saltoun a Frieze New York May 2019. -- Source of annotation: Marvin or Ruth Sackner.
Blaue Wortquadrate / Hapkemeyer, Andreas ; Gappmayr H., 1988
Blends / Strangulensis, Ficus., 1996
Each page depicts a handwritten column of words or wordlike forms which shows progressive alteration from a primary word to a new one or an image. Examples include among others 1) young - void, 2) falls - mist, 3) ripe - shoe, 4) seed - image of a tree. This has been termed "transmorfation" by Ficus Strangulensis and has also been utilized by other poets, notably Crag Hill, jw curry, and Geof Huth. The transmorfations are composed in a computer and laser printed. -- Source of annotation: Marvin or Ruth Sackner.