Calligraphic text
Found in 2969 Collections and/or Records:
Esempi Di Scritture / Miglietta, Enzo., 1981
The image consists of four abstract forms on white paper composed from calligraphic texts, markings and flourishes reminescent of the late 60's style of Judith Copithorne, a Canadian poet. -- Source of annotation: Marvin or Ruth Sackner.
Essai sur la Sculpturale, 1967
Perforations are related to images of body orifices. -- Source of annotation: Marvin or Ruth Sackner.
Essay No.11 (Edition A) / Roth, Dieter., 1989
This print is depicted on page 70 of Roth "Books + Multiples," 2004. -- Source of annotation: Marvin or Ruth Sackner.
Essays in Collaboration / Kuhn C., 1994
Et Celui Ci C'est du Sous Quoi? / Ben., 1978
This is designated Ecart postcards No.16. Thecontent is the title written in white on a black background. -- Source of annotation: Marvin or Ruth Sackner.
Et Puis de ce Puits / Cortot, Jean., 1990
Eternaloons: The Palnik Anthology / Palnik, Paul., 1991
This copy has 16 more drawings (one to a page) than the other copy held by the Sackner Archive even though there is no designation that they are different editions. -- Source of annotation: Marvin or Ruth Sackner.
Eternaloons: The Palnik Anthology / Palnik, Paul., 1991
This copy has 16 less drawings (one to a page) than the other copy held by the Sackner Archive even though there is no designation that they are different editions. -- Source of annotation: Marvin or Ruth Sackner.
Eternity is the Absence of Time / Koraichi, Rachid ; Elisabeth Lalouschek, curator ; Chili Hawes, curator., 2011
Illustrated in this comprehensive volume is "A Nation in Exile: Engraved Hymns" that was a collaboration between Rachid Koraichi and the Palestinian poet Mahmoud Darwish with a calligraphic translation of the poetry by Hassan Massoudy.This suite of prints is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Europe / Babenko, Dmitry., 1999
Eurozentrik / Kuhn, Christine., 1991
This drawing is part of a triptyche done by Kuhn; the others are entitled Vernetzung and Eiszeit. -- Source of annotation: Marvin or Ruth Sackner.
Evangeline's Red Hair, 1990
The drawing is a story that consists of hand printed words done with a pencil; after each word, there is a calligraphic mark in ink that appears to be a shorthand stroke. -- Source of annotation: Marvin or Ruth Sackner.
Evaporazioni / Echaurren, Pablo., 1979
Evening / Sail, 1991
The image is identical to the print with the same title. The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.
Evening / Sail / Finlay, Ian Hamilton., 1970
The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.
Evening / Sail / Finlay, Ian Hamilton., 1970
The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.
Evening / Sail / Ian Hamilton Finlay., 1991
The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.
Evening / Sail / Ian Hamilton Finlay., 1991
The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.
Every Single Thing Is Just One Mind / Metson, Graham., 1974
Everybody Needs American Excess, 2001
Andryczuk's title substitutes "American Excess" for the "American Express" credit card designation. -- Source of annotation: Marvin or Ruth Sackner.