The line drawings of a female nude with superimposed calligraphic text have a lettrist quality. Barbara O'Connelly aka Barb O'Connelly was D.r. Wagner's wife. -- Source of annotation: Marvin or Ruth Sackner.

Twenty five copies of this performance piece were distributed to Ganglia Press and 25 copies to Gilbert. The Sackner Archive holds a duplicate copy that according to Nelson Ball is one of several copies that lacked the outer cover. -- Source of annotation: Marvin or Ruth Sackner.

Twenty five copies of this performance piece were distributed to Ganglia Press and 25 copies to Gilbert. The Sackner Archive holds another copy that has a collaged, drawn outer cover. -- Source of annotation: Marvin or Ruth Sackner.

In order to be able to read this poem Houedard has drawn a diagram with the opened card that is to be set on a mirror. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated PN Special Issue 7. It is stored in two locations - Depew box and box booklets. Elder uses a unique lettering scheme that is printed on the cover and each page. -- Source of annotation: Marvin or Ruth Sackner.

Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass.On the lower left side is inscribed " for ihf" e.g. Ian Hamilton Finlay. On the lower right an additional poem is drawn in rectangles that reads "louez" and "longs." -- Source of annotation: Marvin or Ruth Sackner.

Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass. His instructions are "this version may be printed on thick white (card) to stand on looking glass best wld be for card to be such that it can be bent thus." -- Source of annotation: Marvin or Ruth Sackner.

The complete reversal poem reads "grove sings river asong" with each word written in a column. -- Source of annotation: Marvin or Ruth Sackner.

Book Description (Publisher): The acclaimed author of the international bestsellers In and Out of the Garden and Sara Midda's South of France turns her genius to the universally shared emotions, charms, and mysteries of childhood. Each page of Growing Up and Other Vices is a book unto itself. Whimsical little figures illustrate Table Manners ("Do not rummage through the dish to find the tastiest morsel for yourself"); Things You Are Supposed to Grow Out Of . . .; A Noise Brought on by Nature and How to Deal with It; and Behaviour Towards Various Creatures. In a work that is both enchanting and revealing, Sara Midda wryly observes our adult imperfections. Not a drawing, not a word is untrue, not a moment untouched by a smile of recognition. 52,000 copies in print. -- Source of annotation: Marvin or Ruth Sackner.

In this drawing, Humman hand printed micrographic text of his thoughts and actions during a few days period and worked within a continuous running circular layout. The layout results from incrementing 1/8" diameter circles and then writing upon them. -- Source of annotation: Marvin or Ruth Sackner.

Cameron writes that this is "a page in typescript & dsh's hand offering 'a guide for a 24 12 8 6 point circle' to be made on a lettera 22 typewriter with single line adjustment" -- Source of annotation: Marvin or Ruth Sackner.

The geometric letter forms are written diagonally upper left to lower right. The verso of the paper is colored with purple ink. The beginning text appears to be 'gut', the middle illegible, and the end 'ike.' -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes "for steve - tarig - chas" on the left side of the card. -- Source of annotation: Marvin or Ruth Sackner.

The drawing reads "hashish" and is drawn on paper.The folded page contains the word hashish and beneath it the typed (H-as-H-is H) where both the capital H's and the parenthesis are in red.The calligraphic writing states "not a reflecting poem." -- Source of annotation: Marvin or Ruth Sackner.

The poem reads "hashish." -- Source of annotation: Marvin or Ruth Sackner.

The poem reads "hashish." -- Source of annotation: Marvin or Ruth Sackner.