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Cancelled text

 Subject
Subject Source: Sackner Database

Found in 313 Collections and/or Records:

Practicabile Per Memoria Concreta / Mussio, Magdalo., 1970

 Item
Identifier: CC-54509-55165
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Processual (Almost) Random Snippets from Works in Progress / Cobbing, Bob., 1982

 Item
Identifier: CC-17717-18086
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Progresion Negativa/2/1967 / Millan, Fernando., 1969

 Item
Identifier: CC-05793-5902
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Quante Volta Una: testo tecnologico / Ori, Luciano., 1971

 Item
Identifier: CC-38374-40277
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Raw Material / Saper, Craig J.., 2008

 Item
Identifier: CC-47767-68786
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Reading the Removal of Literature [Craig Dworkin, Editor] / Thurston, Nick., 2006

 Item
Identifier: CC-48926-69964
Scope and Contents This book is a reading of Maurice Blanchot's seminal book The Space of Literature, performed on the page as an annotative writing that encircles the should-be space of print. Through the progressive appropriation and then erasure ("cancelled") of Blanchot's text, and through a processual transposition of hand-writing into formal typography, Thurston addresses the very question of the possibility of literature that obsessed Blanchot. The meaning of the candid reflections and meditations which form the incisive marginalia is founded in a tension with the suggestions of the absent text. Floating alone these annotations may have little worth or make little sense, but between these covers they do not deny the history of their derivation: They are constantly anchored by that which is missing, in a creative erring, in a process of over-coming, which in this book asserts an equality of presence between the read and the written; the reading and the writing. The closest analogue is...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Red, White & Black Overlying Frames & Text] / Spatola, Adriano., 1986

 Item
Identifier: CC-42075-44076
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Reworks 1968-1993 / Cross, Doris ; Phillips T ; Grumman B ; Berman W., 1993

 Item
Identifier: CC-40319-42290
Scope and Contents

In an introductory essay, the exhibition curator Jim Edwards, compares Cross' dictionary work to Tom Phillips' "A Humument." He further indicates that the artist he most equates Doris Cross to is Wallace Berman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

SadisfactionS / Nagy, Paul., 1977

 Item
Identifier: CC-05558-5665
Scope and Contents

The envelope indicates that this print is Collection d'Atelier 6; further, a label, "The Future Press, New York," is affixed to the envelope as its distributor in the USA. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

SadisfactionS / Nagy, Paul., 1977

 Item
Identifier: CC-48403-69429
Scope and Contents

This print was also published in a folded state stored within an envelope. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Save / Stilinovic, Mladen., 1991

 Item
Identifier: CC-29870-31257
Scope and Contents

The newspaper pages are thinly painted white and the center of each page is collaged with a clipping with the word "save" and various prices and words. The last page has a one dollar bill, placed within a collaged insert on the page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Schwarz-Buch I / Cepl, Gernot., 1988 - 1989

 Item
Identifier: CC-19612-19998
Scope and Contents

The blocks of text are painted for the most part black with the margins left intact. In some instances, grays are used so that the printed text is allowed to shine through. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988 - 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Score Sheet: Chips 'N Dip. No.13 / Bill Dimichele., 1988

 Item
Identifier: CC-02539-2581
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Score Sheet. No.22 / Berry J., 1987

 Item
Identifier: CC-02998-3043
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Score: Visual Poems. No.5 / Crag Hill, Laurie Schneider, editors ; Polkinhorn H ; Robertson K ; Helmes S ; DiMichele B ; Hagglund SG ; curry jw ; Maki W ; Adler J ; Rosenberg MR ; Blaine J ; Bennett JM ; Hill C ; Baroni V ; And M., 1985

 Item
Identifier: CC-38757-40668
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Scritture: Disperte del XX Secolo. No.3/Jun / Francesco Saverio Dodaro ; Carrega U., 1989

 Item
Identifier: CC-02259-2299
Scope and Contents

Stored in SCS box -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Sculpted In This World / Reedy, Carlyle., 1979

 Item
Identifier: CC-39261-41208
Scope and Contents

Reedy's handwritten additions and corrections to the poems are also printed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Seasons on the Run / Gorman, LeRoy., 1997

 Item
Identifier: CC-39412-41364
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Seasons on the Run / Gorman, LeRoy., 1997

 Item
Identifier: CC-39413-41365
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Segregation by Robert Penn Warren, 1996

 Item — Box 88: [Barcode: 31858072538220]
Identifier: CC-24183-24635
Scope and Contents Each page has been treated by routing out all the text horizontally with a rotating tool such that the cancellation process takes place word by word. This process is imperfect so that some of letters and fragments of words still remain. The spine of the book has been deliberately cracked to allow the book to be displayed in its opened state. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001.In a letter (2001) to the Sackners, Beube made the following comments. In Segregation, a metamorphosis occurs, transforming the printed text to empty space, and the black ink to dust. Although entire words have become illegible, the remnants of broken letters and vowels can be seen and felt on the crater-like surfaces of the pages.Portions of the book's text have been removed by drilling out each word one page at a time, a process that fragments the book's content. Multiple pages become translucent white veils beneath which a number of underlying pages may be...
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

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