This issue is supplemented by Torque: maximum rotational ephemeral series 1.4-1.5 that is housed in an envelope that is too small for this issue. -- Source of annotation: Marvin or Ruth Sackner.

The edition consisted of 224 soft cover and 26 hard cover books. -- Source of annotation: Marvin or Ruth Sackner.

The edition consisted of 224 soft cover and 26 hard cover books. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition. In an author's afterward, Foer writes that he used the text of Bruno Schultz''s book "The Street of Crocodiles" to create this "imagined larger book, this ultimate book, that every word ever written, spoken or thought is exhumed." Bruno Schultz was killed by the Nazis and only two volumns of his writing survive. The artist Olafur Eliason writes that Tree of Codes is "an extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words." Foer creates a new poetic text mined from the original novel. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition. In an author's afterward, Foer writes that he used the text of Bruno Schultz's book "The Street of Crocodiles" to create this "imagined larger book, this ultimate book, that every word ever written, spoken or thought is exhumed." Bruno Schultz was killed by the Nazis and only two volumns of his writing survive. The artist Olafur Eliason writes that Tree of Codes is "an extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words." Foer creates a new poetic text mined from the original novel. -- Source of annotation: Marvin or Ruth Sackner.

Inscribed by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. Issues No.5-8 are packed within same box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. The colophon states the year of publication as 1984 but this might be 1985 to maintain the sequence of the issue numbering. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. The colophon states the year of publication as 1984 but this might be 1985 to maintain the sequence of the issue numbering. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts a text by Bennett that Helmes overprinted with four rectangular shapes enclosing abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book focuses for the most part on works of contemporary Swiss typographers and graphic designers along with material produced by Swiss and German graphic design students. It serves as a good reference for cutting edge typography and graphic design done in Switzerland since WWII. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads, "a nine muse world beyond the portico of legends - beyond the library - rest n a rock - beyond the music of a blossoming horse." The border of the page consists of rows of colored book spines. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads, "A son like myself - of a Greek engineer - only the word pictures the word - plied words slipped - into his heart like surprise and pleasure. The background depicts colored wave-like forms. -- Source of annotation: Marvin or Ruth Sackner. Housed with "Ulysses [raises]". Identifying label calls the piece "a sun like myself." Added: CEND.

The poem reads, "244 raises. How do I know that? By a very simple test - I know it by its fruits. And what may its fruits be? They are the glittering beings. - art of departure over the pages and waves - So back to to his ocean - to the helm to the rising and falling, turning and returning, appointed courses, of man." A stylized, line drawing of a man is present in the background. -- Source of annotation: Marvin or Ruth Sackner. Housed with "Ulysses [a son like myself" Added: CEND.