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 Subject
Subject Source: Sackner Database

Found in 250 Collections and/or Records:

The Sea Is Silent; Corrected Poems 1969-1989 / Mills, Stuart., 1991

 Item
Identifier: CC-06641-6760
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

The Sea's Waves' Sheaves / Finlay, Ian Hamilton; Barrie, Stuart., 1973

 Item
Identifier: CC-11974-12197
Scope and Contents

The card is folded twice to give three panels. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

The Sea's Waves Sheaves / Finlay, Ian Hamilton; Costley, Ron., 1970

 Item
Identifier: CC-11950-12173
Scope and Contents

This card folded twice has three leaves. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

The Shroud, 2006

 Item — Box 135: [Barcode: 31858072457835]
Identifier: CC-47959-68982
Scope and Contents This work is a masterpiece of poetic embroidery with varied styles for the lettering. The phrases read as follows: 1) lifedeath, 2) heebiejeebies, 3) snuffflick, 4) zigzag, 5) duckyducky, 6) deadend, 7) gangplank, 8) zebrazebra, 9) lushlush, 10) be all end all, 11) finiteinfinite, 12) cockeyed & cuckoo, 13) homesick 14) BAH HUMBUG, 15) fuckyfucky, 16) 2010, 17) mamapapbaba, 18) zerozero, 19) hooplahoopla, 20) toom tchoop poom, 21) i cant sell it, 22) perky & chirpy, 23) sporty & forty, 24) holdminehand, 25) hubbahubba, 26) doublewide, 27) eyeball, 28) ojo por ojo, 29) davey crockett ma kettle, 30) i stand corrected, 31) wow, 32) gee, 33) holy cow, 34) la la, 35) dirty dip, 36) dog paddle, 37) sawbuck, 38) juicehead, 39) gummer, 40) gibberish, 41) invisible ink, 42) hotrod, 43) snap hold kick, 44) 2 sides, 45) sing, 46) alfalfa, 47) rhododenron, 48) i, and 49) croak. Sloy wrote to the Sackners: it took a long time to make. 'lifedeath' was embroidered in 2000. 'croak' was...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS / nic and sloy

Think Green / Hasekura, Takako., 2002

 Item
Identifier: CC-40109-42078
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Thinking of You / Emmanuel and Erofili., 1982

 Item
Identifier: CC-14052-14357
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Thousands of Little Pieces / Cutts, Simon., 1976

 Item
Identifier: CC-18065-18435
Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Three Sundials / Finlay, Ian Hamilton., 1974

 Item
Identifier: CC-12560-12792
Scope and Contents

The first 75 copies of this book were signed by Finlay, the second 75 were not. Includes prints of three colored sundials with an explanation for the terms utilized in the caption. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Tola, 1990

 Item — Box 152: [Barcode: 31858072459302]
Identifier: CC-01602-1637
Scope and Contents

The theme of this book deals with women's lips, eyes, and vagina. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

T.O.P. / Ockerse, Tom; Steen V., 1970

 Item
Identifier: CC-38368-40270
Scope and Contents

Vagn Steen contributed an essay in the brochure explaining the symbols used by Ockerse in his prints. Steen considered Ockerse's work as poems, games and performances. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Trans-Forms / Hill, Crag., 1989

 Item
Identifier: CC-49659-70712
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Trou] / Hubaut, Joel., 2000

 Item
Identifier: CC-34744-36450
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Ubologie / Hubaut, Joel., 2012

 Item
Identifier: CC-55130-9998933
Scope and Contents

The drawings are maquettes for the printed coasters. They were a gift from Joel to the Sackners after his visit to the Archive at the time of his participation in the exhibition Tour de France/Florida at the Frost Museum in Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Un Semantema in Piscina, 1969

 Item
Identifier: CC-11437-11653
Scope and Contents

The black text is set in various colored shapes and patterns. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Une Page d'Antho-entomologie / Tardieu, Jean ; Cortot, Jean., 1995

 Item
Identifier: CC-35685-37435
Scope and Contents

The text by Tardieu is printed on the right hand side of the page. The colored, lithographed lettering by Cortot appears on the left side of each page. The small blue ceramic piece by Cortot is matted under plexiglas inside the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Untitled] / Bruhwiler, Paul., 1994

 Item
Identifier: CC-24019-24469
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

[Untitled] / Diotallevi, Marcello., 1981

 Item
Identifier: CC-15763-16094
Scope and Contents

This is an example of highly stylized calligraphy with recognizable number "4" in text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled drawing] / Repeshko, Andrei., 1998

 Item
Identifier: CC-31330-32806
Scope and Contents

Blocks of varied colored handwritten texts are drawn in a collage-like fashion. The writing consists highly stylized Cyrillic letters and punctuation forms. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Fava, Vittorio., 1990

 Item
Identifier: CC-12843-13130
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Mishin, Valerii., 2006

 Item
Identifier: CC-47360-50104
Scope and Contents From Mishin's web site, the following was obtained. It is difficult, pathetic to write his biography, where we live in a time that the survival of the arts is under great doubts (we remind us of Hegel), and exhibitions such great artists of the 20th century such as Pierre Sulash and George Seagal in the Hermitage in half-empty halls implemented. I belong to the non-conformist artists of the spät-und post-Soviet period, have to Gaso-Newskij exhibitions in Leningrad and at the famous exhibition "From Gulag to Glasnost" in the United States participated, as well as the artist-symposia 1987 in Dresden, 1992 in Franz Maserel center. IIn connection with traditions of Max Ernst and George Seagal is what I call my "residual method realism" (residual realism) " Born in 1939 in Simferopol. Graduated at the Muchina Academy of Arts in Leningrad 1968. A member of the Artists Association of the Russian Federation since 1979. Was involved in numerous exhibitions in Germany and abroad (over 300). ...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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