Concrete poetry

Poetry: Concrete Visual Poems 1969-1979 / Szombathy, Balint ; Marta McConnell-Duff, translator., 1981

Item

Identifier: CC-38630-40539

Scope and Contents

Szombathy was born in Hungary but lives in Yugoslavia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Poetry First, 1993

Item — Box 256: [Barcode: 31858072458254]

Identifier: CC-03110-3158

Scope and Contents

The porcelain cup is inscribed "Poetry First" on one side and Petr Sevcik on the other side. The shipping box is collaged in part with poems taken from newspapers by Chistian Morgenstern and Ernst Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Poetry Image Expression Sound - Basen Obraz Gesto Zvuk: Experimental Poetry of the 1960s / Adamus K ; Burda V ; Hirsal J ; Grogerova B ; Honys J ; Havel V ; Julis E ; Kolarova B ; Kolar J ; Novak L ; Ovcacek E ; Rudolf P ; Trinkewitz K ; Valoch J ; DeCampos A ; Dohl R ; Furnival J ; Garnier I ; Garnier P ; Gomringer E ; Hausmann R ; Houedard DS ; Chopin H ; Kriwet F ; Lora-Totino A ; Mayer HJ ; Mon F ; Miccini E ; Roth D ; Schmidt SJ ; Stankowsky A ; Nebesky L., 1997

Item

Identifier: CC-27819-28952

Scope and Contents This exhibition aimed to document the aesthetic shift that took place in the 1960's and 70's in Czech concrete poetry, art, letters and images. Josef Hlavacek writes in his introduction, ''The relationship between the image and the letter could be called mutual initiation. It became evident that the letter as an object not only of literary but also of artistic interest has a long history with particular accents in classical antiquity, the era of the Baroque and the avant-garde of the 1910s and '20s...The experiment in poetry was brought about by what was essentially a direct reaction to the problematic line of civic poetry...[Then] attention became focused on the word as an independent phenomenon and language...A third stimulus stemmed from a strong interest in how art mediates information about the outer world through artistic signs, doing so in a much more direct way than the spoken or written word." The exhibition featured small magazines, exhibition catalogues and books of the...

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Poetry into Music / Cobbing, Bob ; Nichol bp., 1986

Item

Identifier: CC-17531-17897

Scope and Contents

Two copies have an isbn number on the front cover but one copy does not. The back cover of one copy with the isbn number has a different image than the other copy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Poetry is Risk / Augusto De Campos; Walter Silveira; Cid Campos., 1996

Item

Identifier: CC-31240-32710

Scope and Contents

This video records a live performance for Brazilian TV. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

Poetry is Risk / Augusto De Campos; Walter Silveira; Cid Campos., 1996

Item

Identifier: CC-31240-32710

Scope and Contents

This video records a live performance for Brazilian TV. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

Poetry on the Road / Conz F ; Williams E ; Chopin H ; Rotella M ; Spoerri D ; Higgins D., 1990

Item

Identifier: CC-04036-4114

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Poetry / Poets. Painters. Composers.., 1985

Item

Identifier: CC-04053-4131

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Poetry Review University of Tampa: First Anniversary Issue. No.4 / Duane Locke, R. Morris Newton, editors ; Antin D ; Blackburn P ; Blazek D ; Eigner L ; Harwood L ; Heliczer P ; Inman W ; Levertov D ; levy da ; Malanga G ; Taylor K ; Wakoski D ; Zinnes H., 1965

Item

Identifier: CC-60718-10003573

Dates: 1965

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Poetry Toronto Newsletter. No.66/Jun / Amann E., 1981

Item

Identifier: CC-41170-43152

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Poets / Agius, Juan J. ; Accame V ; Albert-Birot P ; Altmann R ; Beltrami F ; Bentivoglio M ; Bory JF ; Cage J ; Chopin H ; Clavin H ; Cobbing B ; Frangione N ; Garnier P ; Giorno J ; Heidsieck B ; Higgins D ; Kolar J ; Lora-Totino A ; Miccini E ; Minarelli E ; Paz O ; Porter B ; Sarenco ; Valoch J ; Williams E., 2001

Item

Identifier: CC-37975-39858

Dates: 2001

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Poet's Lament / UU, David., 1991

Item

Identifier: CC-01048-1074

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Poezia Konkretna: International Art Exhibition / Anonymous, editor ; Blaine J ; Padin C ; Groh K ; Dudek-Durer A ; Williams E ; Chopin H ; Aguiar F ; Hubaut J ; Olbrich JO ; Baroni V ; Furnival J ; Ferrando B ; Gomringer E ; Heidsieck B ; Baik KN ; Bruscky P ; Giorno J ; Chiari G ; Fontana G ; Vigo EA ; Klivar M ; Johnson T ; Baxter G ; Iannone D ; Warschauer H ; Ferrando B ; Rudolf P ; Drouilly J., 1993

Item

Identifier: CC-04562-4649

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Poezie in Fusie / De Vree, Paul ; Arias-Misson A ; Bann S ; Blaine J ; Bory JF ; DeCampos A ; DeCampos A ; Carrega U ; Chopin H ; Claus CF ; Cobbing B ; Finlay IH ; Furnival J ; Garnier P ; Houedard DS ; Kolar J ; Kriwet F ; Mayer HJ ; Solt ME ; Spatola A ; Ulrichs T., 1968

Item

Identifier: CC-15728-16057

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

poezien, 1971

Item

Identifier: CC-15300-15622

Scope and Contents

This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

poezja konkretna / concrete poetry, 2000

Item

Identifier: CC-54523-989988

Scope and Contents

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

poi / Chopin, Henri., 1966

Item

Identifier: CC-18673-19046

Scope and Contents

Wikipedia: Poi refers to both a style of performing art and the equipment used for engaging in poi performance. Poi originated from the MÄori people of New Zealand as a performance art that involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire). Poi originated with the MÄori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi." Poi is not a French word. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats