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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6414 Collections and/or Records:

Rape of Reality / Trubaj, Vasyl., 1997

 Item
Identifier: CC-43471-45535
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Rapel: 10 fauve and suprematist poems / Finlay, Ian Hamilton., 1963

 Item
Identifier: CC-11674-11892
Scope and Contents Missing one print, "ballad," a poem dealing with the theme of sailors. Includes a poem entitled "Homage to Malevich" in which a square is made up of the words black and block printed with a bold black typeface. This poem has been critically analyzed by Stephen Scobie (Earthquakes& Explorations, Toronto, Canada: University of Toronto Press, 1997, hard cover book, pp 182-189) as pivotal to the understanding of Finlay's work. "The letter to Garnier indicates also the extent to which Finlay's aesthetic was formed by the artistic movements of the early twentieth century; its reference points are Cubism, Fauvism, and Suprematism. The recourse to painting arose, the letter explains, at the point where verbal language in itself seemed inadequate: 'with the extraordinary (since wholly unexpected) sense that the syntax I had been using, the movement of language in me, at a physical level, was no longer there.' Painting - or, more generally, 'visual language' - provided (for Finlay, and...
Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Rapel: 10 fauve and suprematist poems / Finlay, Ian Hamilton., 1963

 Item
Identifier: CC-11675-11893
Scope and Contents Includes a poem entitled "Homage to Malevich" in which a square is made up of the words black and block printed with a bold black typeface. This poem has been critically analyzed by Stephen Scobie (Earthquakes& Explorations, Toronto, Canada: University of Toronto Press, 1997, hard cover book, pp 182-189) as pivotal to the understanding of Finlay's work. "The letter to Garnier indicates also the extent to which Finlay's aesthetic was formed by the artistic movements of the early twentieth century; its reference points are Cubism, Fauvism, and Suprematism. The recourse to painting arose, the letter explains, at the point where verbal language in itself seemed inadequate: 'with the extraordinary (since wholly unexpected) sense that the syntax I had been using, the movement of language in me, at a physical level, was no longer there.' Painting - or, more generally, 'visual language' - provided (for Finlay, and for many other poets at the time) a way out of this impasse: not by...
Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Rappel / Crombie, John., 1998

 Item
Identifier: CC-46401-49126
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Rare Angel / McClure, Michael., 1974

 Item
Identifier: CC-39114-41056
Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Rasoir Mecanique, 1998

 Item — Box 314: [Barcode: 31858072490802]
Identifier: CC-41058-43039
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Rationele Strukluren Random Objectivations / De Vries, Herman., 1968

 Item
Identifier: CC-15308-15631
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Raumgedicht / Beer Cans, 1966

 Item — Box 293: [Barcode: 31858072460730]
Identifier: CC-39374-41326
Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Raumungs-Ausverkauf / Hybriden Verlag., 1995

 Item
Identifier: CC-37442-39295
Scope and Contents

This catalogue lists a large number of publications in the field without prices. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

Raus Mit Der Sprache, 1969

 Item
Identifier: CC-49056-70094
Scope and Contents

This book is an anthology of the diverse styles of poetry written by Schauffelen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Raw Material / Thalia., 1993

 Item
Identifier: CC-01625-1660
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

RBMS Preconference, 49th Annual / Bernett, F. A. ; Caruso L ; Martini SM ; Cobbing B ; Ben ; Lorenz A ; Luca G ; Mesens E ; Rodchenko A ; Simmen R., 2008

 Item
Identifier: CC-48320-69345
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

Re Opening Cases / ACR., 1993

 Item
Identifier: CC-26751-27221
Scope and Contents

This is a Lesbian anthology of Acr's poems and art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Readcycle: Twist Tie #2. No.6/Nov / Joe Blades., 1991

 Item
Identifier: CC-03517-3580
Scope and Contents

Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Reading from his Poem: The Gates of Paradise / David Daniels., 2001

 Item
Identifier: CC-38021-39907
Scope and Contents

The disc records Daniels reading his poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

Reading / Luckam, Lawrence., 1978

 Item
Identifier: CC-07596-7741
Scope and Contents

Because of the locations of the perforations, paging through this book gives different meanings as new words appear from old letters and new ones. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Reading Writing Interfaces: from the digital to the bookbound / Emerson, Lori ; Houedard DS ; Lloyd A ; McLuhan M ; Higgins D ; Williams E ; DeCampos A ; DeCampos H ; Pignatari D ; Olson C ; Solt ME ; Garnier P ; Johnson R ; McCaffery S ; Zurbrugg N ; bissett b ; Duguay R ; Scobie S ; Dickenson E ; Sackner MA., 2014

 Item
Identifier: CC-59602-10002680
Scope and Contents The Sackner Archive lent Houedard typewriter poems for reproduction in this book.AMAZON.COM: "Lori Emerson examines how interfaces"”from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes"”mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user...
Dates: 2014
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Readings: 5 Programmes of Poems with Notes / Cobbing, Bob., 1974

 Item
Identifier: CC-17609-17977
Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Real i dad / Pino, Francisco., 1977

 Item
Identifier: CC-31142-32609
Scope and Contents

Pino repetitively prints the Spanish word, "como," its derivatives, and its letters (como, omo, mo, o) in grids and partial grids so that by the end of the book only a single period remains. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Reason / Edwards, Claire., 2010

 Item
Identifier: CC-51544-72642
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

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