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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6454 Collections and/or Records:

reime im eimer reime im eimer / Clahsen, Peer., 1968

 Item
Identifier: CC-31933-33458
Scope and Contents

The poems are printed in lower case using bold futura typeface. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Relivro, 2011

 Item
Identifier: CC-54649-990092
Scope and Contents

This book deals mostly with documentation of De Barros' performances. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

R.E.M. Period / Furnival, John., 1968

 Item
Identifier: CC-13138-13435
Scope and Contents

This book reproduces segments from Furnival's standing screens as well as presenting an anti-Vietnam war collage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Renegade, 2011

 Item
Identifier: CC-52933-74073
Scope and Contents

Topel's painting, "the portal,' is reproduced on the inside back cover; this painting is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Report of a Journey / Pignatari, Decio; Sackner RK; Sackner MA., 1993

 Item
Identifier: CC-04665-4752
Scope and Contents

Pignatari mentions experiences of Miami visit and the encounter with the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Requiem In Memory Of Our Fathers & Elder Brothers by Robert Rodzhdestvensky / Hirschman, Jack A.; Jack A. Hirschman, translator., 1977

 Item
Identifier: CC-40324-42295
Scope and Contents

This is a political poem dedicated to the Soviet army by Robert Rodzhdestvensky that was translated by Hirschman so that the English and Russian versions stand side by side. It appears to be printed on light sensitive brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Res: Digital Culture. No.1/Fall / Abess M ; Mulholland M ; Sackner RK ; Sackner MA ; Pignatari D ; Solt ME ; Nichol bp ; Olson C., 2006

 Item
Identifier: CC-46708-49438
Scope and Contents

Mathew Abess contributes an essay dealing with digital archiving of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

rest/make (051064) / Houedard, Dom Sylvester., 1964

 Item
Identifier: CC-49662-70715
Scope and Contents

This typing is matted and framed with another typing by Houedard entitled "[Parentheses (41164)]." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Retrospective / Stubbing, N.H. (Tony) ; Klein Y ; Tapie M ; Arman ; Goeritz M ; Hobbs R., 2000

 Item
Identifier: CC-34984-36703
Scope and Contents

According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000