The page contains the word RIP typed at the top and bottom of the page. The poem indicates that thist is in tribute to Kennedy's death in Dallas. -- Source of annotation: Marvin or Ruth Sackner.

When properly lit and placed, the colorful letters of the front hologram that reads POESIA combines with the black letters of the second hologram to read RISCO. The holograms were constructed by Moyses Baumstein. -- Source of annotation: Marvin or Ruth Sackner.

When properly lit and placed, the colorful letters of the front hologram that reads POESIA combines with the black letters of the second hologram to read RISCO. The holograms were constructed by Moyses Baumstein. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of Steen's works dating to at least 1963. It reproduces his print, "Red Dor;" the actual print is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Catalogue lists mainly visual poetry magazines of the 1960's - 1980's. -- Source of annotation: Marvin or Ruth Sackner.

In an introductory essay, Mary Ellen Solt traces concrete poetry historically and analyzes spcifically the work of Lax as related to Eugen Gomringer, Augusto De Campos and Ian Hamilton Finlay. Michael Basinski and Robert Bertholf provide an essay on "Zines," a generic term for a self-generated, cheaply produced (folded and stapled photocopied sheets), radically independent magazine. The exhibition included works of 167 international, concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This poem is a homage to the death of Theodore Roethke (May25, 1908 - August 1, 1963) and was written by dsh one week after his death. Wikipedia: Roethke was an American poet who published several volumes of influential and critically acclaimed verse. He is widely regarded as among the most accomplished and influential poets of his generation. Roethke's work is characterized by its introspection, rhythm and natural imagery. He was awarded the Pulitzer Prize for poetry in 1954 for his book, The Waking, and he won the annual National Book Award for Poetry twice, in 1959 for Words for the Wind[2] and posthumously in 1965 for The Far Field.In the November 1968 edition of the Atlantic Monthly, former U.S. Poet Laurete and author James Dickey wrote Roethke was: "...in my opinion the greatest poet this country has yet produced." In keeping with Houedard's poem, Roethke's poems often related to nature. -- Source of annotation: Marvin or Ruth Sackner.

This issue is an excellent source of writings and images of particularly British concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

This edition consisted of 50 tubes covered with recycled sticker material from different networkers in the 1980s and 1990s. -- Source of annotation: Marvin or Ruth Sackner.

This work was commissioned as a work of public art. The poems comprising this work were etched into a 20 foot long glass wall. Stored flat on top of a box in the B section of books. -- Source of annotation: Marvin or Ruth Sackner.

This work was commissioned as a work of public art. The poems comprising this work were etched into a 20 foot long glass wall. Stored flat on top of a box in the B section of books. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of handwritten instructions for a performance. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Kempton composed circular, computer made poems that are formed from letters. They are presented one on each page. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a page of the white pages of the New York telephone directory with a text over text concrete poem consisting of the name "Robinson." -- Source of annotation: Marvin or Ruth Sackner.