Scope and Contents

There are duplicates of card 2, 4, & 13. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book includes a reprint of "White Light," previously unpublished correspondence between levy and Richard Allen Morris, and levy and Robert Kelly. It also reprints editorials and book reviews by levy from his small magazines. The cover was designed by alan horvath. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This drawing of a calligraphic design by Cherry for the Schiff brooch used a perspex background as a reflecting surface. Perspex (plexiglas) was eliminated in the final design but the idea for reflection of Schiff in mirror writing was kept for the final design. The Archive for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The word "Schiff," signifying ship, is printed in stylized calligraphy to resemble the shape of a ship and its reflection in the water. Indexbooks WEB 2011: "One of an edition of 350 signed numbered copies, printed by PKM studios, of a 2 x 12 inch lithographed triple foldout thin card strip with the word "Schiff" in a typeface so that the symmetrical upside down repeat, i.e., reflection, of itself makes for a reflection of itself (as if it were a ship). That's metonymy? Part for whole? Nah. More like metaphor, the word for the thing, i.e., substitution." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The word "Schiff," signifying ship, is printed in stylized calligraphy to resemble the shape of a ship and its reflection in the water. ndexbooks WEB 2011: "One of an edition of 350 signed numbered copies, printed by PKM studios, of a 2 x 12 inch lithographed triple foldout thin card strip with the word "Schiff" in a typeface so that the symmetrical upside down repeat, i.e., reflection, of itself makes for a reflection of itself (as if it were a ship). That's metonymy? Part for whole? Nah. More like metaphor, the word for the thing, i.e., substitution." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The typed 10 lines of the name Schoenberg begin with lowercase letters and then adding one capital letter on each line until the final row is all capital letters. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The typed 10 lines of the name Schoenberg begin with lower case letters and then adding one capital letter on each line until the final row is all capital letters. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Eugen Gomringer provided an introduction. One of the poems entitled "persilschein" that is depicted, the word is a German idiom meanung "Clean Bill of Health" The top line refers to the Nazi brown shirts who after WWII were denazified according to evidence present to the allies and now became "white shirts."Wikipedia: Kurt Adolf Mautz (* June 1st 1911 in Montigny-les-Metz , "  November 2000 in Wiesbaden ) was a German literary scholar and writer . He was the father of actor Rolf Mautz .Mautz studied German literature, philosophy and history, first from 1930 to 1933 in Frankfurt am Main, among others in the then little-known lecturer Theodor W. Adorno , from 1934 in Giessen at the Catholic priest Theodor Steinbuchel , the one there Concordat Chair for Philosophy held. "The Nazi seizure of power here seemed less noisy than being run in Frankfurt," Mautz wrote later in his novel The key Urfreund. "I ... took care about nothing but my dissertation." Mautz in 1936 with a study of Max...

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This book presents an anthology of concrete poetry by German speaking poets. -- Source of annotation: Marvin or Ruth Sackner.

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The scroll "genau in anbetracht einer verschiebung" 1978-1980 and the sculpture "dialog der stein der wieson 1986" reproduced in this catalog are held in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This print is depicted on pages 86-87 of Ulrichs exhibition catalogue, "Die Druckgrafik" 2003, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This novel was written from 1954 - 1956 by Kutter. The book design and illustrations were done by Karl Gerstner. The frontpiece of the book depicts its title as fragmented text with a concrete poetic appearance like Mon's concrete poems in the sixties. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book includes essays by the authors as well as by Peter Daniel. It includes reproductions of silkscreened concrete poems on linen by Gomringer presumably published by Conz Editions. It also includes nine collages by Peter Daniel including "Vernetzung" that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The two graphic images in this book were designed by Gunther Kirchberger. -- Source of annotation: Marvin or Ruth Sackner.