Concrete poetry
Found in 6475 Collections and/or Records:
Silenzio / Belloli, Carlo; Acquaviva, Giovanni., 1961
Belloli is one of the last generation of Futurist poet/artists. -- Source of annotation: Marvin or Ruth Sackner.
silenziovoce (silence voice), 1967
This is also designated No.4 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.
Silex: Poemes des Cavernes 2nd Edition / Albert-Birot, Pierre ; Zadkine O., 1966
This second edition which was published in August, 1966 has larger dimensions than the first edition. A drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.
Silex: Poemes des Cavernes / Albert-Birot, Pierre ; Zadkine O., 1966
This is the first edition published in May, 1966. Drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.
Silex: Poemes des Cavernes / Albert-Birot, Pierre ; Zadkine O., 1966
This is the first edition published in May, 1966. Drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.
silver beech and copper birch / Cameron, Charles., 2013
Composed on an IBM Selectric typewriter. Cameron comments that this work is both (obviously, as is) a visual poem and, (less obviously) the score for a choral prose reading aloud, in which an alchemical transformation between vegetative and metallic elements is accomplished as we transition from trees (higher voices) to metals (lower) -- and perhaps back up again. It has always struck me that a poet would be as interested in adjacent names (in this case, silver birch and copper beech) as in adjacent trees. If I was reporting a country walk, birch and oak might be the two trees that caught my eye -- but as a poet, birch and beech, with their corresponding metallic adjectives, would be far more resonant. This copy printed 2013 from a computerized version in HTML, late 1990s, after a typed original -- almost impossible to reproduce at this point -- back in the early '80s. -- Source of annotation: Marvin or Ruth Sackner.
Simbiosi / Carrega, Ugo., 1976
Some of the pieces depicted in this catalogue are produced in Carrega's "Green Box" that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Simbiosi / Carrega, Ugo., 1975
Simplex 17, 2006
These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.
Simula / Aguiar, Fernando., 1992
SIN / Cole, David., 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Sina I Dentity / Radin, Betty., 1993
Singing Hands Series: Cold Mountain. No.3 / bp Nichol., 1966
According to Nelson Ball, 200 copies were printed but 120 copies were accidently destroyed. -- Source of annotation: Marvin or Ruth Sackner.
Singing Hands Series: Scraptures: Second Sequence. No.1 / bp Nichol ; bissett b., 1965
This is Nichol's second book in which he prints wordplay mainly on the word "beware." The cover was designed by bill bissett. -- Source of annotation: Marvin or Ruth Sackner.
Singing Hands Series: The Great Tibetan Train Robbery Mystery in Color. No.3 / da levy., 1966
The text is densely overprinted in different orientations on paper stock of various sizes, colors and thicknesses. Tibetan symbols are also overprinted on the text. This makes for a difficult read. The back cover is rubberstamped "distributed by Ganglia, 55 Admiral Road, Toronto Canada." -- Source of annotation: Marvin or Ruth Sackner.
singsingsing, 2011
The small hand lettering on this collag reads 's i n g' from different angles. When held up to the light a second layer of writing can be seen. The top border is hand cut. The cancelled, red bordered stamps on the poem object commemorate the work of several product designers and are part of the conceptual work of sloy and nic. -- Source of annotation: Marvin or Ruth Sackner.
sinose [si-no-se: yes-no-if], 1967
This is also designated No.3 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.