Concrete poetry
Found in 6475 Collections and/or Records:
Sunpoem / Finch, Peter., 1971
The poem describes the sun with seven adjectives that have the letter O. The words are arranged so that the O's are aligned. The place for the final O in the word hollow is empty, with the missing O placed in line on top of the list of words. -- Source of annotation: Marvin or Ruth Sackner.
super bliss (110167) / Houedard, Dom Sylvester., 1967
There is a Roman arch form typed in the middle of the page surrounded by several typed mantras. -- Source of annotation: Marvin or Ruth Sackner.
Super Rekord 50 + 50, 1980
Sur La Musique: Lettrie a 8 solistes et I Choeur / Satie, Alain., 1982
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Surface / Fencott, P.C.., 1984
The word "surface" is densely overprinted in red and blue ink giving a leaf-like frottage appearance to the print. -- Source of annotation: Marvin or Ruth Sackner.
Suruba / Junges, Tadeu., 1980
In a portion of this book, Junges created homoerotic poems ware from black, lower case typefaces often cut or arranged in mirror images. -- Source of annotation: Marvin or Ruth Sackner.
Surveillance Sketch / Mancini, Donato., 2003
The text was produced from conversations overheard during a week in a surreal artificial tourist/commercial area on the edge of Vancouver's downtown area. As such, it is akin to Martin Wilner'a artist books that record text and images from passengers on the NY subway trains. -- Source of annotation: Marvin or Ruth Sackner.
Sussex Outlook: Special Issue: Brighton Festival. No.18/Apr / Conrad Martin, editor ; Ruehm G ; Houedard DS ; Finlay IH ; Lyle P ; Mayer HJ ; Morgan E., 1967
SVEP / Deisler, Guillermo, editor; Sarieff, Vaselin, editor; Slang, A.; Slang A; Corpa; Braumuller H; Olbrich JO; DeRosa S; Kowalski J; Figueiredo C; Lenoir P; Sarieff V; Maggi R; Crozier R; Fierens L; Baroni V; Chiarlone B; Prautzsch HU; Sachse K; Segay S; Aguiar F; Private World; Barbot G; Deisler G., 1990
The envelope is addressed to Luc Fierens. -- Source of annotation: Marvin or Ruth Sackner.
Swamp ER) R (IE Blues / Thomas, Don., 1969
Swans / Finlay, Ian Hamilton; Costley, Ron., 1974
The number "2" is written to form the silhouette of a swan. -- Source of annotation: Marvin or Ruth Sackner.
Swarms, 2010
The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.
Sweat & Saliva Series (Remade) / Wendy Wischer., 2006
Sweat & Saliva Series (Remade) / Wendy Wischer., 2006
Sweat & Saliva Series / Wendy Wischer., 2001
The circular, handwritten work in ink upon five commercial dishes consisted of recipes interspersed with romantic phrases thereby creating an erotic text. This piece was destroyed by Wischer and remade with light resistant paint and carries the title, Sweat & Saliva Series [remade]. -- Source of annotation: Marvin or Ruth Sackner.
Sweat & Saliva Series / Wendy Wischer., 2001
The circular, handwritten work in ink upon five commercial dishes consisted of recipes interspersed with romantic phrases thereby creating an erotic text. This piece was destroyed by Wischer and remade with light resistant paint and carries the title, Sweat & Saliva Series [remade]. -- Source of annotation: Marvin or Ruth Sackner.
Sweethearts / Williams, Emmett ; Burkland, Rae., 1982
Stored in Emmett Williams box. -- Source of annotation: Marvin or Ruth Sackner.
Swim or Sink / Gifford, Nancy., 2004
The red words swim or sink are placed among blue wavy typed dashes signifying the waves. The print also includes a thank you note for a tour of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Sylvester / Kenelm Cox; Dom Sylvester Houedard., 1968
The hands of this clock-like object each have a letter at their ends that spells, "Sylvester" after the poet Dom Sylvester Houedard. However, the arrangement of the gears which staggers the letters from ever lining up to form this word. The background creates a subtle Moire effect as the hands move across it. The clock was made by Kenelm Cox on behalf of Dom Sylvester Houedard. According to William Allen, bookseller, it was a surprise gift from Cox to Houedard. -- Source of annotation: Marvin or Ruth Sackner.