Concrete poetry
Found in 6475 Collections and/or Records:
The Second Novel: On Becoming a Writer / Blei, Norbert., 1978
This is a special issue of December Magazine comprising Vol.21 No.1-2, 1978. The style of this book appears to be influenced by Kenneth Patchen's early works. -- Source of annotation: Marvin or Ruth Sackner.
The Self-Portrait Gate, 2001
In Daniels' book, "The Gates of Paradise," this poem is printed on facing pages 40-41. The shape of the poem is a caricatured face in profile on the left page with a cartoon bubble idea on the right page. -- Source of annotation: Marvin or Ruth Sackner.
The Sense Books: Nose Book, Tongue Book, Ear Book, Eye Book, Skin Book, 1978 - 1979
These five books, each relating to one of the senses, are a "tour de force" of book design. They have a playful quality which permits interaction between the reader and the book through unfoldings, pulling apart layered objects, and visual peeks for a fun filled, kinetic experience. The text is replete with puns and cliches. -- Source of annotation: Marvin or Ruth Sackner.
The Shaper / Gillespie, A. Lincoln., 1948
The Shell of Evening, 1974
The Shepheardes Calender / Greene, Roland., 1990
In this essay, Greene analyzes this Renaissance poem that loosely relates to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
The Singing of Feeling / Houedard, Dom Sylvester; Cox K., 1968
houedard provides a critical analysis of the artistic works of Ken Cox. -- Source of annotation: Marvin or Ruth Sackner.
the six rules of tilopa (020167) / Houedard, Dom Sylvester., 1967
The Skinny on Low Smoke / Anonymous., 1990
The Sound of Running Water / Finlay, Ian Hamilton., 1989
Consisits of a line of black staggered letters ending in the word Revolution printed in red. -- Source of annotation: Marvin or Ruth Sackner.
The Stars My Destination / Bester, Alfred., 1957
This copy of the book is a first American edition, first printing. -- Source of annotation: Marvin or Ruth Sackner.
The Stars My Destination / Bester, Alfred., 1970
The State of Things, 2006 / Nora Ligorano; Marshall Reese; C Bernstein., 2006
This dvd documents an ice sculpture formed of the letters of the word "DEMOCRACY" which was placed in the garden of the gallery on the third anniversary of the Iraq war. Its collapse due to the heat of the day was a metaphor for the tragic fate of democracy during that time period. -- Source of annotation: Marvin or Ruth Sackner.
The State of Things, 2006 / Nora Ligorano; Marshall Reese; C Bernstein., 2006
This dvd documents an ice sculpture formed of the letters of the word "DEMOCRACY" which was placed in the garden of the gallery on the third anniversary of the Iraq war. Its collapse due to the heat of the day was a metaphor for the tragic fate of democracy during that time period. -- Source of annotation: Marvin or Ruth Sackner.
The Subverse Wanders off the Word / Endwar., 1990
Endwar titles a poem from a word(s) and fragments it(them) into clusters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.
the sunlight shining through my wife's paisley skirt / levy, d.a.., 2002
The Sweetness of the Breath of Two Who Breathe as One / Young, Karl., 1991
The poem consists of printed text, which reads in part, "Given the nature of oxygen through the biosphere over time, you have probably breathed some of the same air as at least one of the following people: Moses, Buddha, Sappho, Jesus...and the first to experience unselfish love." Young's written poem of the title reads from right to left and bottom to top. It is positioned below the printed text and taken from 2300 year old Latin text. Young concludes "You may have shared a breath with its author. -- Source of annotation: Marvin or Ruth Sackner.
The Sydney Morning Vol.I (Word Works & Ideographics 1967-1988) / Tipping, Richard Kelly., 1989
The Sydney Morning Vol.II (Word Works 1967 - 1991) / Tipping, Richard Kelly., 1991
On the unbound page, Tipping provides background notes for each of the concrete poetic prints. -- Source of annotation: Marvin or Ruth Sackner.