Concrete poetry
Found in 6475 Collections and/or Records:
The Voyage, 1975
Williams wrote this poem using only three letter words which gradually become smaller as the voyage progresses by fliping the pages. -- Source of annotation: Marvin or Ruth Sackner.
The Watts Tower Poems, 1972
This poem commemorating Simon Rodia's architectural Watts Towers in Los Angeles was reproduced from Creative Word 1 in the Random House English Series, an educational tool for the schools. -- Source of annotation: Marvin or Ruth Sackner.
THE WAY of HEAVEN , 1971
The Whole Horizon Retreats / Burke, Herbert., 1978
The Word as Such? / Christie, Jason., 2004
This drawing was submitted to pete spence for publication. -- Source of annotation: Marvin or Ruth Sackner.
The Word Made Flesh / Drucker, Johanna., 1989
The Word-The Text-The Letter: Visual & Concrete Poetry / Groh, Klaus., 1989
The World: I Saw Eternity the Other Night / Ward, John Powell., 1965
The fisrst stanza of the original poem by Henry Vaughn reads: I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driv'n by the spheres Like a vast shadow mov'd; in which the world And all her train were hurl'd. The doting lover in his quaintest strain Did there complain; Near him, his lute, his fancy, and his flights, Wit's sour delights, With gloves, and knots, the silly snares of pleasure, Yet his dear treasure All scatter'd lay, while he his eyes did pour Upon a flow'r. -- Source of annotation: Marvin or Ruth Sackner.
The World is Coming ! / Miller, Brown., 1969
The Write Word / Murphy, Peter., 1994
[The Yellow Love 2nd Ed.] / Cobbing, Bob, editor ; Nuttall J ; Gysin B ; Benveniste A ; DeVree P ; Cobbing B., 1992
Designated Pamphlet One 2nd ed. The first edition that was published in 1968 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[The Yellow Love] / Cobbing, Bob, editor ; Nuttall J ; Cobbing B ; Benveniste A ; DeVree P ; Gysin B., 1968
Designated Writers Forum Pamphlet One. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.
The Young American Poets / Carroll, Paul, editor ; Acconci V ; Kostelanetz R ; Berrigan T ; Coolidge C ; Johnson R ; Malanga G ; Padgett R ; Saroyan A ; Waldman A., 1968
Theoremes / Robinson, Ian., 2001
Theoretische Positionen zur Konkreten Poesie / Kopfermann, Thomas, editor ; Bense M ; Gappmayr H ; Bremer C ; Mon F ; Heissenbuttel H ; Gerz J ; Gomringer E ; Jandl E ; Schmidt SJ ; Bezzel C ; Ruhm G ; Kriwet F ; Kostal E ; Helms H ; Heinrichs HJ ; Hartwig H., 1974
Theorie der Konkreten Poesie: Texte und Manifeste 1954-1997: Band II, 1997
Theory Of Mobile Texts / Gerz, Jochen; Cooke N; Juerges P., 1968
This is designated No.735 in Gerz's Catalogue Raisonne Volume III. The edition size is not provided but is probably small. -- Source of annotation: Marvin or Ruth Sackner.
Theravada: sun / moon / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
[There are approximately two billion moms in the world] / Goldring, Deborah., 2007
The image is a map of the world printed in with the word "mom" in black and white. The text reads " there are approximately two billion moms in the world. What are the odds someone like me would end up with the best?" Deborah added "What are the odds that I'd find a card like this?" -- Source of annotation: Marvin or Ruth Sackner.
Thermals / Essary, Loris., 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.