Concrete poetry
Found in 6475 Collections and/or Records:
[Typewitten Concrete Poems] / Nikonova, Rea., 1988 - 1997
[Typewriter Drawings] / Tobias, Gert; Tobias, Uwe., 2010
Several of these typings emulate with less success the calligraphic-like typings of Dom Silvester Houedard. -- Source of annotation: Marvin or Ruth Sackner.
Typewriter. No.3 / Robert Caldwell, Ruby Montelone, editors ; DiPalma R ; Hawks A ; Sobin AG ; Adler J ; Quibel L ; Camnitzer L ; Oshel D ; Paul H., 1973
Includes a five page section by Luis Camnitzer entitled "Image - English Dictionary.' -- Source of annotation: Marvin or Ruth Sackner.
Typewriter Poems / Finch, Peter, editor ; Claire P ; Clark TA ; Cobbing B ; Gibbs M ; Houedard DS ; Mayer P ; McCarthy C ; Morgan E ; Riddell A ; Sharkey JJ ; Verey C ; Zurbrugg N ; Parfitt W ; Lloyd A ; Ward J ; Bielski A ; Jenkins P ; Patton M ; pederson lg ; Gilbert J ; Stephens M., 1972
This American edition was copyrighted by Something Else Press and most of the run was destroyed by Dick Higgins because he had not been informed that the anthology was entirely British. -- Source of annotation: Marvin or Ruth Sackner.
Typewriter Poems / Finch, Peter, editor ; Claire P ; Clark TA ; Cobbing B ; Gibbs M ; Houedard DS ; Mayer P ; McCarthy C ; Morgan E ; Riddell A ; Sharkey JJ ; Verey C ; Zurbrugg N ; Parfitt W ; Lloyd A ; Ward J ; Bielski A ; Patton M ; pederson lg ; Jenkins P ; Gilbert J ; Stephens M., 1972
This U.K. edition was copyrighted by Second Aeon Publications. -- Source of annotation: Marvin or Ruth Sackner.
typewriter poems / Green, Theo., 2015
Typewriter: Rune 2: 26 Voices/January Interlude. No.10 / Karl Kempton., 1980
The cover was designed by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Typewriter Town / Smith, William Jay., 1960
Typewritings Eat [GE89] / Evason, Greg., 2002
Typewritings QID [GE11] / Evason, Greg., 2002
Typewritings unt - c version 2 [GE91] / Evason, Greg., 2002
Typo / Mayer, Hansjorg., 2015
Typo-Strukturen: A / Buchwalder, Ernst., 1969
The letter A is repeated alternately right side up and upside down in eleven rows. -- Source of annotation: Marvin or Ruth Sackner.
Typo-Strukturen: E / Buchwalder, Ernst., 1969
The letter E is repeated in clusters of four creating a cross-like image in five rows. -- Source of annotation: Marvin or Ruth Sackner.
Typoaktionen / Mayer, Hansjorg ; Dohl R., 1967
A limited edition portfolio consisting of prints of the the subject matter in this book designated "Typoaktionen 2" (1976) is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Typoems / Mayer, Hansjorg ; Bense M ; DeCampos H ; Goeritz M ; Dohl R ; Maser S., 1965
Typogramme 1 / Gosewitz, Ludwig., 1962
Each print depicts a typewriter poem formed by a square grid of punctuation signs, parentheses and carats designed in a complex arrangement. -- Source of annotation: Marvin or Ruth Sackner.
Typogramme / Hoesselbarth, Kai., 1988
The poem depicts a bow and arrow with the bow formed from the word "mehrheit" repeated three times. the arrow is formed from the word "andersdenkende." Mehrheit means majority and andersdenkende dissident in English. The arrow pierces the bow and drips red drops of blood. the verso depicts a fragment of another shaped poem. Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.
Typogramme / Hoesselbarth, Kai., 1992
The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with brown fabric and the cover print has a blue background. In the other copy, the portfolio is covered with black fabric and the cover print has a black background. The images of the prints are identical but there are minor differences in color registration on some of them. The number of artist proof copies is unknown. -- Source of annotation: Marvin or Ruth Sackner.
Typogramme / Hoesselbarth, Kai., 1992
The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with black fabric and the cover print has a black background. In the other copy, the portfolio is covered with brown fabric and the cover print has a blue background. The images of the prints are identical but there are minor differences in color registration on some of them. -- Source of annotation: Marvin or Ruth Sackner.