Concrete poetry
Found in 6475 Collections and/or Records:
Visual Voices; Poem Floating through One's Dream, Blurred in Three Places pages 14-15 / Weiss, Irving., 1994
This poem is based upon John Donne's (1573-1631), "Death Be Not Proud." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in Extremis: Trying to Escape Itself; pages 42-43 / Weiss, Irving., 1994
This poem is based upon Abraham Cowley (1618-1667), "Sport." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in the Making and Unmaking pages 6-7 / Weiss, Irving., 1994
This poem is based upon Geirge Herbert's (1593-1633) poem, "The Quiddity." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Reader's Laser-Beam Mind Fusing an Epic into Its Initial and Concluding Lines; pages 86--87 / Weiss, Irving., 1994
This poem is based upon Michael Drayton (1563-1631). The first two and the last two lines of Poly-Olbion, Or a Chorographical Description of Tracts, Rivers, Mountains, Forest and other Parts of this Renowned Isle of Great Britain, with Intermixtureof the Most Remarkable Stories, Antiquities, Wonders, Rarities, Pleasures, and Commodities of the Same. " -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Refusing To Be Paged; pages 46-47 / Weiss, Irving., 1994
This poem is based upon the First Set of Madrigals of Orlando Gibbons (1583-1625). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Reorganized According to a Subliminal Principle of Cohesion; pages 82-83 / Weiss, Irving., 1994
This poem is based upon Sir Walter Scott (1771-1832), from The Lay of the Last Minstrel. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Seen Sideways, in Profile; pages 68-69 / Weiss, Irving., 1994
This poem is based upon Robert Herrick (1591-1674), "Delight in Disorder." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem: Simultaneous View of As Both Crowded and Spacious; pages 112--113 / Weiss, Irving., 1994
This poem is based upon Air from Elizabethan songbook: "Every bush new springing" Every bush new springing, Every bird now singing, Merrily sat poor Nicho, Chanting troli lo loli lo, Till her he had espied On whom his hope relied, Down a down, with a frown, O she pulled him down. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Hair; pages 74-75 / Weiss, Irving., 1994
This poem is based upon Thomas Dekker (1570?-1632), from Pleasant Comedy of Patient Grissil. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Rhymes Unclasped, Falling off Their Cliffs; pages 60-61 / Weiss, Irving., 1994
This poem is based upon Henry Wadsworth Longfellow (1807-1882), "Nature." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Right Margin Pulled Tight to Dislodge Secret Message; pages 44-45 / Weiss, Irving., 1994
This poem is based upon Anonymous, 16th century. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Rightful Line Evicting an Impostor from Another Poem; pages 48-49 / Weiss, Irving., 1994
This poem is based upon Poem with rightful line: William Blake(1757-1827), Poem with fraudulent line: Abraham Cowley (1618-1667). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Reader's Free Alteration Poem pages 26-27 / Weiss, Irving., 1994
This poem is based upon George Gordon, Lord Byron (1788-1824), "She Walks in Beauty." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Refrain Notation Poem; pages 132--133 / Weiss, Irving., 1994
This poem is based upon "Tomorrow shall be my dancing day," early English song Spenser, "Epithalamion" Wyatt, "The Lover Complaynath the Unkindness of his Love" (1503 - 1549). Refrains from the three different poems ring out in repetition, print-interconnected, given in notation rather than full quote. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Reverberations: Night Mind Anthology pages 2-3 / Weiss, Irving., 1994
This poem appears to be a melange of Weiss' own poetry. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Reverse Word -Order Poem; pages 120--121 / Weiss, Irving., 1994
This poem is based upon William Collins (1721-1759), "Ode Written in the Beggining of the Year 1746." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Telegram Poem; pages 64-65 / Weiss, Irving., 1994
This poem is based upon Thomas Parnell (1679-1718), "When thy beauty appears." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Telephone Doodle Poem; pages 36-37 / Weiss, Irving., 1994
This poem is based upon Sir Edward Dyer (d.1607), "The lowest trees have tops." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Telescopic Piece of Poem Marching in the Poetic Firmament ; pages 94--95 / Weiss, Irving., 1994
This poem is based upon Keats, "Sleep and Poetry,"11. 47-58 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: The Book Closed, the Facing Pages Kiss; pages 144-145 / Weiss, Irving., 1994
This poem is based upon William Wordsworth (1770-1850), "The White Doe of Rylstone," Canto Four, lines 68-169. -- Source of annotation: Marvin or Ruth Sackner.