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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6393 Collections and/or Records:

Willow / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12495-12722
Scope and Contents

The poem is printed as a single or two letter vertical arrangement on a green background, viz., "tree leaved with mists." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Willow / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12497-12724
Scope and Contents

The poem is printed as a single or two letter vertical arrangement on a green background, viz., "tree leaved with mists." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Wind in Ripe Barley / Finlay, Ian Hamilton; Hincks, Gary., 2000

 Item
Identifier: CC-42860-44901
Scope and Contents

The etching or woodcut black and white image on the card cover by Hincks appears to be a scene taken from Finlay's Little Sparta garden. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Wind in the Keys / Gorman, Leroy., 1981

 Item
Identifier: CC-31505-32997
Scope and Contents

Also designated High/Koo Chapbook 10. There were 30 hard cover copies published. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Wind The Clock By Bittersweet / Pauly, Bill., 1977

 Item
Identifier: CC-30391-31807
Scope and Contents

Also designated High/Coo Chapbook #2. This booklet includes conventional Haiku, concrete poetic Haiku, and concrete poems. One of the concrete poems is done in the style of Eugen Gomringer's "Silencio" using the word, "conform." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Windmills Enter Arms Race / Finlay, Ian Hamilton; Willcocks, Jonathan; Furnival J., 1967

 Item — Folder 36: [Barcode: 31858072459963]
Identifier: CC-12407-12633
Scope and Contents

This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Windmills Winding Waters / Finlay, Ian Hamilton., 1985

 Item
Identifier: CC-10813-11023
Scope and Contents

Each word of the title is printed in white on a red background, one word to each leaf. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

With It / Smith, Keith A.., 1992

 Item
Identifier: CC-02652-2695
Scope and Contents

The subtitle of Smith's book number 134 is "Tale of Timothy Thomas Mott," a homoerotic novel. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

With Joy and Gratitude to G-d / Karsch, Hannah; Hochner, Jacky., 1995

 Item
Identifier: CC-08116-8276
Scope and Contents

Invitation to the engagement festivities in Tucson and the wedding in Jerusalem of Hannah and Jacky, the niece of the Sackners. The calligraphic decoration is shaped like a Chupah, under which the traditional Jewish wedding ceremony takes place. The calligrapher is Denni Ann Gershaw. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

womb word 1 (051165) / Houedard, Dom Sylvester., 1965

 Item
Identifier: CC-56015-59686
Scope and Contents

This version of the poem is typed on the top portion of the page in four columns. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

womb word 2 (051165) / Houedard, Dom Sylvester., 1965

 Item
Identifier: CC-56016-886644
Scope and Contents

This version of the poem is spaced throughout the page in two columns. It contains the date 051165 handwritten probably by Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

womb word (051165) / Houedard, Dom Sylvester., 1965

 Item
Identifier: CC-31367-32844
Scope and Contents

The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

[Woodface Type Sculpture] / Patrick Chelli., 2002

 Item
Identifier: CC-39060-40998
Scope and Contents

The painted white sculpture is made from varying size wooden typefaces and fonts including Art Deco arranged in a vertical column attached to a white wooden base. The artist's signature is composed of the wooden type letters on the bottom of one face of the sculpture. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002