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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6475 Collections and/or Records:

words worth while works, 1997

 Item — Box 334: [Barcode: 31858072491032]
Identifier: CC-33133-34759
Scope and Contents

The poems were written between 1969 and 1989. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

wordseen: Wordworks by 13 Visual Poets and Artists / Sackner MA ; And M ; Basinski M ; Bennett JM ; Ernst KS ; Ganick P ; Grumman B ; Helmes S ; Peters M ; Rosenberg MR ; Weiss I ; Arimany E ; Luis C ; Padin C ; Was E., 2003

 Item
Identifier: CC-40452-42423
Scope and Contents Marvin Sackner wrote the essay for this catalogue, entitled "Introduction to WordSeen Exhibition." To begin, I must declare a conflict of interest in writing this introduction. Such a statement is required when a physician presents a paper to a scientific audience while having ownership in a company or being paid for conducting studies on medical devices or drugs related to his lecture. Since I am a physician and my wife Ruth and I own works by most of the artist/poets in this exhibition, I wish to be in front with this declaration. Nevertheless, I believe that I can be objective in my views since the works in this exhibition must stand visual relevance by attendees to this exhibition regardless of what I say just like medical studies must stand the test of reproducibility by other investigators. I hope you get the point about my opinions on conflict of interest. In this introduction to the exhibition, I shall comment on the differences between concrete and visual poetry as well as...
Dates: 2003

Wordworks: Poems Selected and New, 1993

 Item
Identifier: CC-08121-8282
Scope and Contents Publishers Weekly: "In 1967, when critic Kostelanetz began publishing his own visual poetry, he was one of the most accessible practitioners of the form. A poem composed of the single word "lollypop" travels vertically down the page, the first O huge so the whole looks like a lollipop. A five-page tribute to Henry Ford is composed entirely of the letters A and T. Later work pulls apart words and places them back together, as in "relationship," the central I and O forming the knot of a bowtie-like shape formed by the other letters. "I seem to have . . . characteristic ways of handling language that extend from print into other media," Kostelanetz says as he moves from visual to aural poetry, then on to film and video poems. Short, conversational prefaces to each of this book's 15 sections help pave the way for uninitiated readers (though as the work becomes more difficult to appreciate on the page, his introductions become more technical and complex). These commentaries threaten to...
Dates: 1993

Wordworks: Poems Selected and New, 1993

 Item
Identifier: CC-08122-8283
Scope and Contents Publishers Weekly: "In 1967, when critic Kostelanetz began publishing his own visual poetry, he was one of the most accessible practitioners of the form. A poem composed of the single word "lollypop" travels vertically down the page, the first O huge so the whole looks like a lollipop. A five-page tribute to Henry Ford is composed entirely of the letters A and T. Later work pulls apart words and places them back together, as in "relationship," the central I and O forming the knot of a bowtie-like shape formed by the other letters. "I seem to have . . . characteristic ways of handling language that extend from print into other media," Kostelanetz says as he moves from visual to aural poetry, then on to film and video poems. Short, conversational prefaces to each of this book's 15 sections help pave the way for uninitiated readers (though as the work becomes more difficult to appreciate on the page, his introductions become more technical and complex). These commentaries threaten to...
Dates: 1993

Work Seen. No.7/Dec-Jan / Judith Sandiford, editor ; Sackner MA ; Caruso B., 1990

 Item
Identifier: CC-00370-378
Scope and Contents

Marvin Sackner's talk at Birganart Gallery, Toronto is briefly reviewed by Judith Sandiford and Ronald Weihs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Works 24 Poems / Saroyan, Aram ; Coolidge C., 1966

 Item
Identifier: CC-39593-41552
Scope and Contents

All the poems in this book are printed with a red colored typeface. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Works: A Sampling / Ernst, Kathy ; Sackner MA ; Sackner RK ; Rosenberg MR ; Cole D ; Bennett JM ; Helmes S ; Murphy S., 2008

 Item
Identifier: CC-49706-70759
Scope and Contents

Eye a book object from 1983 held by the Sackner Archive is depicted in this book. The CD is titled "Visual Poetry in the Avant Writing Collection, Ohio State University. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Works / Finlay, Ian Hamilton ; Greenhalgh, Martyn ; Nash J ; Clark L ; Harvey M ; Fine J ; Campion P., 1989

 Item
Identifier: CC-11848-12069
Scope and Contents

This catalogue was designed by Finlay. The 10 photographs in this book from Finlay's garden are captioned with text from Finlay's "Detached Sentances on Gardening." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Works of Art / Ernst, Kathy ; Cole D ; Rosenberg MR ; Helmes S ; Bennett JM., 2003

 Item
Identifier: CC-41511-43499
Scope and Contents

This catalogue presents work by Ernst from 1971 to the present. The following bookworks held by the Sackner Archive are depicted, 'Eye,' 'Sequencing,' and 'Book of Love.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Worte / Wezel, Wolf., 1977

 Item
Identifier: CC-47789-68808
Scope and Contents

This book consists of typed, concrete poems based upon the German word for "one." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977