Concrete poetry
Found in 6475 Collections and/or Records:
yo catch a whitemanby his manifesto / Houedard, Dom Sylvester, teacher; students of bath academy of art., 1969
The print designs were made by students at the Bath Academy of Art from suggestions made by Houedard as to their themes. The Sackners originally owned two portfolios, one of the numbered edition, the other of an unnumbered edition signed by Houedard on the title page. A water leak in the house near these porfolios completely ruined one of the portfolio covers and damaged the other; two prints that orinally had several artistikc incisions were runed. The print collaged onto one of the portfolios was salvaged for a newly made substitute portfolio. -- Source of annotation: Marvin or Ruth Sackner.
You And I Were Missing / Murphy, Peter., 1975
You Are Everything / Emmanuel and Erofili., 1978
You Are Great / Emmanuel and Erofili., 1978
You Are The Figure, 1994
You Must Work Harder to Write Poetry of Excellence: Crafts Discourse and the Common Reader In Canadian Poetry Book Reviews / Mancini, Donato ; Colombo JR ; Betts G ; Acorn M ; Bok C., 2012
You Silently (Two) / Marina Warner, curator ; Dawn Ades, curator ; Winston S ; Finlay IH ; Scanlan P ; Krecker D ; Parker G ; Stangos N., 2008
Sam Winston's, "Passion" print of the Romeo and Juliet series is depicted. The complete work of this series (6 prints, edition of five) is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
You Were a Bastard for being so Fucking Good in Bed or The Unmentionable / Le Sueur, Joe., 1982
Gay poetry. -- Source of annotation: Marvin or Ruth Sackner.
You You / Saroyan, Aram., 1965
his image was printed by Brice Marden. Saroyan received a $5,000 grant from NEA to produce this print and FOUR other minimalist, concrete poems. This grant prompted William Proxmire, senator from Wisconsin, to award his Golden Fleece Award to the National Endowment for the Arts as one of the most outrageous examples of slap-your-forehead misappropriations. In his book "an/thology of pwoermds" Geof Huth writes the following: "I began to write pwoermds after becoming entranced by Saroyan's eyeye. The simple beauty of that poem haunted me, even though (and maybe because) the poem began as a typographical error of Saroyan's and it took a friend of his to point out to him its signficance (Solt, Concrete Poetry, 57)." This print was redone in 1989 as a silkscreen orint in 1989 in an edition of 150 with a priceof $1,000 on the internet. -- Source of annotation: Marvin or Ruth Sackner.
Your Poetry Hits Us Like a Ton of Concrete / Wisenberg, Sandi; Riveron E., 1983
This article was the published results of the "First and Last living Today Concrete and Visual Poetry Contest." It followed an article in the Miami Herald about the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.
Your weekly viewing / King, Doreen., 2000
Ypudu, Anagrammiste / Dupuy, Jean., 1987
Ypudu, Anagrammiste: Jaunes Violets / Dupuy, Jean., 1987
By following Dupuy's numbering system, the painting entitled Jaune Violet (painted in yellow and violet) changes to J'envoie saluts (I Send greetings). -- Source of annotation: Marvin or Ruth Sackner.
yu can eat it at th opening / bissett, bill., 1974
Yud: Ur-Buchstabe; The Unbreakable Yud / Peter Daniel., 1993 - 1994
The Hebrew letter "Yud" (Y) which means hand, has a numerical value of 10 (equivalent to the ten digits). However, the work is engraved with the number "925" and "LAB-ART." -- Source of annotation: Marvin or Ruth Sackner.
Yud: Ur-Buchstabe; The Unbreakable Yud / Peter Daniel., 1993 - 1994
The Hebrew letter "Yud" (Y) which means hand, has a numerical value of 10 (equivalent to the ten digits). However, the work is engraved with the number "925" and "LAB-ART." -- Source of annotation: Marvin or Ruth Sackner.
[Yue] / Berry, Jake., 1987
Yule 1-4 / Gorman, Larry., 2002
[YY] / Spence, Pete., 1994
YYEL Yellow / Edmonds, Tom., 1965
The artist described the original work, a 30" x 30" acrylic on duck, as a sound poem painting. -- Source of annotation: Marvin or Ruth Sackner.