Concrete poetry
Found in 6475 Collections and/or Records:
Boooook: The Life and work of Bob Cobbing , 2015
Stored in Bob Cobbing box. -- Source of annotation: Marvin or Ruth Sackner.
Bop Scheherazades / Phillips, Michael Joseph., 2003
This book is a reproduction of a manuscript in which Phillips fantasizes a description of several feminine movie stars, porno stars, singers, and models with short poems, one to each page. -- Source of annotation: Marvin or Ruth Sackner.
Bord Duka Er! / Hammarberg-Akesson, Jarl., 1964
Bored Messengers / Nichol, bp., 1988
These poems were taken from The Martyrology Bo(o)ks 7 (V11). According to Serendipity Books Canadian Poetry 1998 Internet, the publisher believed that the intended signed edition was abandoned. This was because Nichol died while the book was in press. -- Source of annotation: Marvin or Ruth Sackner.
Born to Concrete / Clements L ; Cowen R ; Douglas D ; Dugan M ; Duke JH ; Finlay IH ; Herel P ; Selenitsch A ; Hutchinson G ; Krausmann R ; Macpherson RD ; May F ; Murphy P ; Parr M ; Powell D ; Reed S ; Riddell A ; spence p ; thalia ; Tipping R ; Stevens G ; Zurbrugg N., 2013
Stored with issues of the periodical, "Born to Concrete." -- Source of annotation: Marvin or Ruth Sackner.
Botanica / Gorman, LeRoy., 1999
Bouleau-Birch / Finlay, Ian Hamilton; Webb, Caroline., 1991
In the title, Bouleau means Birch Tree. The poem reads Marbre which is French for marble. -- Source of annotation: Marvin or Ruth Sackner.
Bow - Arrows / Burmless, Del., 1987
BOX / Depew, Wally., 1984
Bozobook / Firesign Theatre, The., 1981
The Firesign Theatre broadcasted on KPFP FM, Los Angeles from 1970-1971. The group consisted of Philip Austin, Peter Bergman, David Ossman, and Philip Procter. The centerfold page is a mimeographed page from one of the versions of "Zachariah" by Joe Massot for The Firesign Theater. -- Source of annotation: Marvin or Ruth Sackner.
Bozobook / Firesign Theatre, The., 1981
The Firesign Theatre broadcasted on KPFP FM, Los Angeles from 1970-1971. The group consisted of Philip Austin, Peter Bergman, David Ossman, and Philip Procter. The centerfold is a photocopied page from a radio script. -- Source of annotation: Marvin or Ruth Sackner.
bp: Film Proposal Excerpt / Nash, Brian; Yake, Elizabeth; curry jw., 1991
This proposal outlines plans for a documentary film on the life and work of bp Nichol, the Canadian poet and publisher who died at the age of 44 years. -- Source of annotation: Marvin or Ruth Sackner.
bp Nichol: a selection of small press publications / Lopes, Damian ; Nichol bp ; curry jw ; Sackner MA ; Dutton P ; McCaffery S ; UU D., 1994
bp Nichol: What History Teaches / Scobie, Stephen., 1984
This book is stored in a bp Nichol box. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Cronaca: Carmen/Da Ancreonte. No.17 / Maria Roccasalva., 1983
Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.
Braille Book / McCarney, Scott., 1990
The book consists of braille pages altered with perforations and collaged with offset texts. -- Source of annotation: Marvin or Ruth Sackner.
Brain Teasers / Cook, Bud, editor., 2007
Brainsuck: Concrete. No.2 / d.a. levy., 1986
Brambu Drezi: Book One / Berry, Jake ; Foley J., 1993
The Sackner Archive holds the manuscript for this long experimental prose/poem. Jack Foley provided an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Brambu Drezi: Book One; Manuscript / Berry, Jake; Miskowski M., 1986 - 1990
A critical analysis of this work was written by Jack Foley in the book taken from this manuscript that was published by The Running Spoon Press in 1994. Foley pointed out that the text was Kabbalistic in its content. Thus, Foley states that there are many pathways through Brambu Drezi, a neologism for "in the beginning." Jake's genius turns in many directions--polytropin. He praises the scholarly references in the text and the integration of the verbal imagery. I (MAS) find that any portion of the text can be enjoyed for the richness of the language and imagery without reading it from beginning to end. It appears to me that sequencing in this work is not an important issue. -- Source of annotation: Marvin or Ruth Sackner.