Concrete poetry
Found in 6393 Collections and/or Records:
23 sins / Neaderland, Louise Odes., 2003
The pages are cut in horizontal ribbons with a single word containing "sin or cin or syn" on a page such as sincere, synagogue, cinder, cinema and Cinncinnati. -- Source of annotation: Marvin or Ruth Sackner.
25 Extracts from 25 Cards / Baines, Phil., 1987
The content of the cards from which this booklet was printed is diaristic. -- Source of annotation: Marvin or Ruth Sackner.
27 Avril 1988 Remember / Blaine, Julien., 1976
30 Signatures to Silver Catches / Finlay, Ian Hamilton ; Sandeman, Margot., 1971
The name of a fishing ship which is printed on each page in its original typeface provides a poetic expression as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.
31 Erotic Concrete Sonnets for Samantha / Phillips, Michael Joseph., 1979
This copy was mailed to Luigi Ballerini. The poems are mostly repetitiously printed of a single or a few words. -- Source of annotation: Marvin or Ruth Sackner.
31 Poemas / Gomringer, Eugen ; Percy Garnier, translator ; Philadelphio Menezes, translator., 1988
[33XX] / spence, pete., 2002
36. In the Beginning / Furnival, John., 1965
The poster depicts a stylized phallus formed from letters with a center channel ejecting the biblical phrase "In the beginning was the word..." The number 36 in the title refers to Furnival's 36th birthday -- Source of annotation: Marvin or Ruth Sackner.
40 Poem(a)s / cummings, e.e. ; Augusto De Campos, translator., 1986
Includes reproductions of the correspondence between cummings and De Campos focusing on the typesetting of the poems. -- Source of annotation: Marvin or Ruth Sackner.
40 + Product of Holland, 1968
The poem with gold colored, repetitive words is printed in the shape of a tondo. -- Source of annotation: Marvin or Ruth Sackner.
41P, 1999
This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.
45 Modelli de Uso / Carrega, Ugo., 1981
An explanation of each work is provided in a soft cover book accompanying the works that are stored within the large green box in form-fitted compartments. The translation from the Italian is handwritten in English on the verso of each of the 45 works. Carrega comes to concrete and visual poetry from a literary tradition rather than as a visual one This work is a mini-retrospective of his oeuvre dating from 1955; it has a great deal in common with conceptual art and text. -- Source of annotation: Marvin or Ruth Sackner.
53 / Hrdy, Joseph., 1968
54-64 For Link / Houedard, Dom Sylvester; Chopin H; Heidsieck B; DeCampos H; Gomringer E; Garnier P; Katsue K; Finlay IH; Furnival J; Wright E., 1964
60 Seconds / Anonymous., 1992
66_69 (291065) / Houedard, Dom Sylvester., 1965
69 (051064) / Houedard, Dom Sylvester., 1964
The page has folds that allow the poem to be displayed in an on end, vertical position. The number '69' is repetively typed in grids of square and rectangular shapes. Three ciircles and twp partial circles typed in black ink capital L's overlay the grids. -- Source of annotation: Marvin or Ruth Sackner.
73 Poems / Goldsmith, Kenneth ; La Barbara, Joan ; Young G., 1993
Accompanies print portfolio with same title. -- Source of annotation: Marvin or Ruth Sackner.
73 Poems / Goldsmith, Kenneth ; Sackner MA., 1993
Kate Rawlinson, Director of Galleries, acknowledges the "aesthetic insight and generous assistance in bringing this exhibition together." Marvin Sackner contributed an essay describing his relationship as a collector to the artist and his work. Sackner also coins the term Rap Concrete Poetry to describe the work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.