Skip to main content

Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6475 Collections and/or Records:

Concrete Poetry / Bodden, Valerie ; Herbert G ; Apollinaire G ; Gomringer E ; Carroll L ; Ball H ; DeCampos A., 2009

 Item
Identifier: CC-50694-71768
Scope and Contents

Page 15 reproduces a colored calligram by Apollinaire that is held by the Sackner Archive in a limited edition of 10 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

[Concrete Poetry] / Cobbing, Bob, editor; Cobbing B; Gomringer E; Dohl R; Saroyan A., 1978

 Item
Identifier: CC-17696-18065
Scope and Contents

Reproductions of examples of concrete poetry; one copy printed on white and the other on yellow stock. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

[Concrete Poetry] / De Campos, Augusto., 1986

 Item
Identifier: CC-16062-16404
Scope and Contents

These cards are reprints of concrete poems made from 1972-1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Concrete Poetry / Finlay, Ian Hamilton., 1969

 Item
Identifier: CC-11715-11933
Scope and Contents

Brief notes of explanation are provided for several of the poems in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Concrete Poetry from East and West Germany: The Language of Exemplarism and Experimentalism / Gumpel, Liselotte ; cummings ee ; Bense M ; Achleitner F ; Arp H ; Artmann HC ; Ball H ; Bann S ; Benn G ; Bobrowski J ; Bremer C ; Brock B ; DeCampos A ; Cage J ; Claus CF ; VanDoesburg T ; Duchamp M ; Enzensberger HM ; Gappmayr H ; Gomringer E ; Heissenbuttel H ; Herzfelde W ; Holz A ; Jandl E ; KIrsch S ; Kriwet F ; Mallarme S ; Marti K ; Marinetti FT ; Mon F ; Mayer HJ ; Morgenstern C ; Roth D ; Ruhm G ; Russolo L ; Saussure F ; Schauffelen KB ; Schmidt SJ ; Schwitters K ; Solt ME ; Spoerri D ; Soto J ; Stockhausen K ; Thomkins A ; Ulrichs T ; Walther E ; Wezel W ; Wiener O ; Williams E ; Williams J ; Wittgenstein L., 1976

 Item
Identifier: CC-52893-74031
Scope and Contents

Description of book from the inside dust jacket: "Liselotte Gumpel brings to her interpretation of these two strains of poetry a solid grounding in language and cultural history as well as fresh and unbiased perceptions about the poems themselves. She offers historical background, draws connections with literary concretism's antecedents in visual arts and music, and usefully applies the semiotics of Max Bense and C.S.Peirce in her descriptions of the "dicentic genres" of the East and the "rhematic connexes" of the West. Under the rubrics of teleological humanism and creative zest she explores the shaping traditions of the two movements. A chapter on significant anthologies from East and West Germany concludes her survey." The dust jacket depicts a mandala by Kriwet that Gumpel characterizes as a "Round Disc." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Concrete Poetry from the Collection of Peter Day / Day, Peter ; Basmajian S ; Beining G ; Werschler-Henry D ; bissett b ; Blaine J ; Bory JF ; DeCampos A ; Chopin H ; Cobbing B ; Finlay IH ; Furnival J ; Gomringer E ; Williams E., 1995

 Item
Identifier: CC-16162-16505
Scope and Contents

A posthumous catalog of Day's personal collection. Cover was designed by Darren Wershler-Henry and introductory essay was written by Michael Holmes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Concrete Poetry / Linton, Arnold ; Gomringer E ; Kierzkowski R., 1975

 Item
Identifier: CC-49004-70042
Scope and Contents Unable to identify this poet in a Google search. Russell Kierzkowski contributes a brief history and definition of concrete poetry as quoted as follows. "Concrete poetry has taken root in the literary soil of the United States. Small presses are attempting to establish and develop this fresh medium. Concrete poetry is a positive response to an earnest demand for adequate methods of communication. For advanced methods of thought, typography and design are the essential tools of this international.rnovement that is exercising the many dimensions of poetry which have long been suppressed by the antiquated hierarchy of literature. Arnold Linton is a local artist concerned with this emerging art. A free-lance graphic designer and typographer, he utilizes his press - the hermit press by participating in the movement to validate concrete poetry as an artform. The hermit press is one of the many small presses making an important contribution in addition to the work in concrete poetry the...
Dates: 1975

Concrete Poetry / Lucie-Smith, Edward; Apollinaire G; Schwitters K; Garnier P; Finlay IH; Morgan E; Rimbaud A., 1966

 Item
Identifier: CC-35946-37710
Scope and Contents

This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Concrete Poetry / Niikuni, Seiichi., 1979

 Item
Identifier: CC-38341-40240
Scope and Contents

This book consists of a critical analysis of Niikuni's work and a selection of his concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Concrete Poetry / Timm Ulrichs., 1972 - 1977

 Item
Identifier: CC-43835-45931
Scope and Contents

This work is made from concrete in the shape of a book. The front molded letters read "Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972 - 1977

Concrete Poetry / Timm Ulrichs., 1972 - 1977

 Item
Identifier: CC-43835-45931
Scope and Contents

This work is made from concrete in the shape of a book. The front molded letters read "Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972 - 1977