Also designated dbqprescard No.5. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #190 (held by Sackner Archive) and Hit Broadside #2. Grumman utilizes blank space as a visual representation of the pond (pnd). -- Source of annotation: Marvin or Ruth Sackner.

Huth writes that this piece was a copy from the original 25-copy edition. He then "retro-numbered" it as dbqp # 0. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Hit Broadside #18. The printed letters "up and dn" spell the same abbreviations for up and down when reversed from bottom to top. -- Source of annotation: Marvin or Ruth Sackner.

This illustrated blog by Geof Huth records the tour of the Sackner Archive with his family. and continues with their trip through Florida and the Florida Keys and a visit with Bob Grumman. The report continues with visits to and communication with Spencer Selby, Andrew Topel, and, performances with Nico Vassilakis, Crag Hill, Jim Anderson titled "An Evening of Sound/Visual/Digital/Poetics.' -- Source of annotation: Marvin or Ruth Sackner.

Huth provides a review of all the presentations at the 2nd Avant Garde Writing Symposium held at the Ohio State Libraries. -- Source of annotation: Marvin or Ruth Sackner.

This book is a printing of a Doctoral dissertation. With an analytic/statistical approach, Ottenhof concludes that Paul De Vree is the most important Dutch (Belgian) concrete/visual poets. -- Source of annotation: Marvin or Ruth Sackner.

In one section of book, there are several lines of verse in which all words begin with letter "P," and in another section, with the letter "C." All letters of the words in another poem are capitalized where the letters also represent Roman numerals. The words in some poems also employ mixtures of upright and italicized typefaces. Dick Higgins in his book "Pattern Poetry" cited this book. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with a celebration of Paul Van Ostaijens works. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: Debbie: An Epic "This is a wonderfully original non-linear lyric poem. Although it does not produce a narrative or present consistent characters, it takes in fundamental ideas--women's position in society, contemporary attitudes toward classical authors, distrust of narrative--and spins them into a beautiful, ever-shifting lyric fabric. Although you won't emerge with a paraphrasable story in your head, you undoubtedly will have extraordinary lines and phrases and images occupying your mind for days. The layout of the book itself is stunning, taking advantage of different font sizes and shades, white space, and margins--it's a feat of book design." -- Source of annotation: Marvin or Ruth Sackner.

Designated publication 30. The book comprises a retrospective of Claire's poetry on the occasion of a performance at The Voice Box, Royal Festival Hall, London, March 10, 1991. -- Source of annotation: Marvin or Ruth Sackner.

This limited edition of the book is printed on Ingres paper. -- Source of annotation: Marvin or Ruth Sackner.

This limited edition of the book is printed on Ingres paper. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a reprint of "the cement fuck,"some previously unpublished prints, painting and postcards. The cover photograph was taken by alan horvath. -- Source of annotation: Marvin or Ruth Sackner.

A long column on the right side of the page consists of varied shades of m's with three balnk spaces in the column. The title is typed in the bottom left corner of the page. -- Source of annotation: Marvin or Ruth Sackner.

typewriter art of a mushroom cloud with a line going through it

Louis Dudek's concrete typewriter poem is titled Electric. The publication of the poem itself in 25 copies is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.