This depicts a bookbinding by Rose Adler. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Max Bense and Elisabeth Walther. -- Source of annotation: Marvin or Ruth Sackner.

Mary Martin (1907-1969) was one of the most distinguished and influential of a small group of English constructive artists of the 1950s and '60s. Her geometric paintings, sculptures, reliefs and drawings explore colour, line and form as basic formal elements. This multiple was purchased from her husband, Kenneth Martin. According to Stephen Bury in Artist's Multiples 2001, this was an unlimited edition. However, it is doubtful that more than 100 to 200 copies were actually made. -- Source of annotation: Marvin or Ruth Sackner.

The same constructivist image is printed in as a suite of six individual two color combinations by Bosshard. A poem is printed that describes these combinations, e.g., red and orange, black and blue, etc. Both the prints and the poems deal with the variations on a theme concerning proportional relationships and the circle. -- Source of annotation: Marvin or Ruth Sackner.

This book includes two offset prints by Peter Roehr and Herman de Vries as well as other multiples by less known artists. The exhibition was organized by Peter Roehr and Paul Maenz. Each copy is unique as each is printed on a different sheet of commercially designed, rubberized plastic. Karl Lueg who contributed to this exhibition later changed his name to Karl Fischer and became an art dealer. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds an original copy of this exhibition catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This untitled carbon copy typing is composed of seven joined cubes formed by typed underline marks. The original typed in red ink piece is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Darren Werschler-Henry made the selections for this anthology. The two cards are color reproductions of "Carnival." This book includes a section by McCaffery that annotates the works in the book. -- Source of annotation: Marvin or Ruth Sackner.

Articulations includes a section of handwritten maps that uses words to describe the locations as well as the history of stores and houses in Kostelanetz's neighborhood. The duplicate copy does not contain the letter that is an invoice for purchase of the book. -- Source of annotation: Marvin or Ruth Sackner.

Thirteen rectangles made with slashes and dashes are typed on an angle on a background of parallel, elongated rectangles. -- Source of annotation: Marvin or Ruth Sackner.

Five rows of rectangles are created with slashes and dashes . Four of the rows contain six rectangles and one row contains five with a blank space.. -- Source of annotation: Marvin or Ruth Sackner.

The edition comprised 50 copies and 6 artist proofs. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Maurice Tuchman and Stephanie Barron. This catalogue contains seventeen essays that provide a radical rethinking of abstraction with special attention to the pioneers of nonrepresentational art. The exhibition focuses on what the artist intended his painting to mean rather than how it looked. " By offering clues to the now-hidden meanings of abstract art, it helps make the esoteric accessible and the obscure visible, illuminating not only the art but also the spiritual beliefs that nourished it." -- Source of annotation: Marvin or Ruth Sackner.