Constructivism
Found in 314 Collections and/or Records:
All Good Wishes for 2003 / Pfeiffer, Werner; Poirier, Lisa., 2003
All in a Tiz / Adler, Jeremy., 1987 - 1994
Adler has used red, yellow and black colors to create an abstract alphabet formed from inked, constructivistic-like, line drawings on each of the pages of this leaflet. -- Source of annotation: Marvin or Ruth Sackner.
[Alphabet DSH] / Houedard, Dom Sylvester., 1966
Anglo Russian / Constructivist Company; Sackner MA., 1992
Lifetime membership card No.104 for Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Anglo Russian / Constructivist Company; Sackner RK., 1992
Lifetime membership card No. 103 for Ruth Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Angulos / Padin, Clemente., 1972
This is also designated n.16 in the series '20x20'. The pages depict mimimalistic, constructivistic line drawings. Large drawings of such images were displayed in an exhibition entitled, "Latin American Conceptualism I," held at the Henrique Faria Gallery in 2010. -- Source of annotation: Marvin or Ruth Sackner.
Architectural Design: Russian Constructivism & Iakov Chernikov. No.7/8 / Catherine Cooke, editor., 1989
Contains English translations of several Chernikov books. -- Source of annotation: Marvin or Ruth Sackner.
Architectural Drawings of the Russian Avant-Garde 1917-1935/ Soviet Avant-Garde Publications / Irena Zaantovsko Murrray, curator ; Lissitzky E ; Mayakovsky V ; Rodchenko A ; Chernikov I ; Vesnin A., 1991
Exhibition had several books which are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[architectural tower] 720119 / Houedard, Dom Sylvester., 1972
A blue typed tower with a roof-like extension is the centered typing. A small vertical column is left center. Both are within a red typed line. -- Source of annotation: Marvin or Ruth Sackner.
Architettura spaziale / Persiani, Gloria G.., 1985
Argusi / Persiani, Gloria G.., 1986
Art into Life: Russian Constructivism 1914-1932 / Bann S ; Andre C ; Arp H ; Berlewi H ; Burliuk D ; Chashnik IG ; Costakis G ; Duchamp M ; Exter A ; Ernst M ; Gan A ; Goncharova N ; Grosz G ; Hausmann R ; Heartfeld J ; Hoch H ; Itten J ; Kamensky V ; Kassak L ; Khlebnikov V ; Kliun I ; Klucis G ; Kobro K ; Kruchenykh A ; Kudryashov I ; Larionov M ; Lissitzky E ; Mayakovsky V ; Mansouroff P ; Marinetti FT ; Popova L ; Puni I ; Ray M ; Rodchenko A ; Rozanova O ; Stepanova V ; Suetin N ; Tatlin V ; Teige K ; Telingater S ; Zdanevich I ; Andel J ; Foster H ; Lodder C ; Kruger B ; Haacke H., 1990
This exhibition was curated by Richard Andrews. The introduction and seven essays for this exhibition catalogue trace and describe Constructivism and its influence on Western art history in the twentieth century. Many of the works were drawn from Russian collections and are therefore newly seen in the west. The catalogue includes a timeline from 1909 to 1933 comparing events in Russia and in Western Europe. -- Source of annotation: Marvin or Ruth Sackner.
Art of the October Revolution / Guerman, Mikhail, editor ; W. Freeman, translator ; D. Saunders, translator ; C. Binns, translator ; Lissitzky E ; Malevich K ; Mayakovsky V ; Popova L ; Puni I ; Rodchenko A ; Vesnin A ; Exter A ; Annenkov Y., 1979
Avant-Garde Books from Russia, 1910-1930 / Gail Harrison Roman, curator ; Kruchenykh A ; Kamensky V ; Mayakovsky V ; Malevich K ; Rozanova O ; Goncharova N ; Lissitzky E ; Iliazd ; Rodchenko A ; Zdanevich K ; Chernikov I., 1981
Curated by Gail Harrison Roman. The Sackner Archive lent several books to this exhibition. Stored under Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.
Avant-Garde in Russia, The: 1910-1930 / Stephanie Barron, curator ; Maurice Tuchman, curator ; Annenkov Y ; Burliuk D ; Chashnik IG ; Exter A ; Goncharova N ; Kliun I ; Larionov M ; Lissitzky E ; Malevich K ; Popova L ; Puni I ; Rodchenko A ; Suetin N ; Udaltsova N ; Vesnin A ; Kamensky V., 1980
Edited by Stephanie Barron and Maurice Tuchman. "The Factory"(reproduced) by Popova, "The Foundations of Contemporary Architecture" and "Architectural Fantasies" by Chernikhov, and "Untitled" watercolor by Kliun were lent to the exhibition by Ruth and Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Avant-Garde in Russia, The: 1910-1930 / Stephanie Barron, curator ; Maurice Tuchman, curator ; Annenkov Y ; Burliuk D ; Chashnik IG ; Exter A ; Goncharova N ; Kliun I ; Larionov M ; Lissitzky E ; Malevich K ; Popova L ; Puni I ; Rodchenko A ; Suetin N ; Udaltsova N ; Vesnin A ; Kamensky V., 1980
Edited by Stephanie Barron and Maurice Tuchman. "The Factory" (reproduced) by Popova,"The Foundations of Contemporary Architecture" and "Architectural Fantasies" by Chernikhov, and "Untitled" watercolor by Kliun were lent to the exhibition by Ruth an -- Source of annotation: Marvin or Ruth Sackner.
Avant-gardes du xxe siecle / Vloemans, John A. ; Lecointre, Didier ; Ozanne, Denis ; Beuys J ; Delaunay S ; Cendrars B ; Duchamp M ; Lissitzky E ; Oldenburg C ; Lichtenstein R ; Twombly C ; Warhol A ; Isou I ; Apollinaire G ; Arp H ; Itten J ; Bayer H ; Ben ; Breton A ; Dubuffet J ; Grosz G ; Hausmann R ; Leger F ; Magritte R ; Mayakovsky V ; Ting W ; Rauschenberg R ; Giorno J ; Brauner V ; Janco M ; Schwitters K ; Shiomi M ; Chernikov I., 1990
Auction catalogue. It includes a large section on the Rumanian Avant Garde. -- Source of annotation: Marvin or Ruth Sackner.
Avant-Gardes: Selections from the Merrill C. Berman Collection / Grosz G ; Hausmann R ; Baader J ; Baumeister W ; Hoch H ; Michel R ; Zwart P ; Domela C ; Tschichold J ; Huszar V ; Popova L ; Iliazd ; Exter A ; Rodchenko A ; Lissitzky E ; Ermilov V ; Telingater S ; Cangiullo F ; Carra C ; Crotti J ; Teige K ; Schuitema P., 2004
This catalogue was produced in conjunction with the exhibition at Ubu Gallery. -- Source of annotation: Marvin or Ruth Sackner.
Beat the Reds with the White Wedge: Correspond! / Finlay, Ian Hamilton., 1984
The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.
Beschneidung: Zwischenraume Leerraume; Circumcision: Gaps Voids / Daniel, Peter., 1998
The words "LAB-ART," constructed with small, multiple, geometrical forms, e.g, rectangles trapezoids and triangles, are printed on each left sided page. The right sided pages consist of an enlarged portion of each letter with the 'R' having two different enlargements. -- Source of annotation: Marvin or Ruth Sackner.