Conventional poetry
Found in 3928 Collections and/or Records:
Poems of the Mouth / Benveniste, Asa ; Benveniste P., 1966
The cover design and illustrations within the book were done by Pip Benveniste. This is the first book of verse by Benveniste, the poet and publisher. -- Source of annotation: Marvin or Ruth Sackner.
Poems & Pictures. No.1 / Jess., 1954
Of interest in that it contains a poem by Jess Collins which includes a neologism, e.g, quotha = quote the. -- Source of annotation: Marvin or Ruth Sackner.
[Poems] / Trubaj, Vasyl., 2003
Although these pieces are probably photocopied, they might be typed carbon copies. -- Source of annotation: Marvin or Ruth Sackner.
Poems with Conceptual Mistakes / Surikov, Sasha., 1997
poemsequence for sam beckett ? / Sharkey, John J.., 1964
This poem also was printed in book form and a copy is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Poems/Paintings / Fisher, Jeff., 1982
Poesia 1949-1979, 1979
The recording was made by Caetano Veloso who provides a musical interpretation of two De Campos poems. viz., dias dias dias from Poetamenos and o pulsar. The book was designed by Julio Plaza. The first concrete poems appeared as colored texts in 1953. -- Source of annotation: Marvin or Ruth Sackner.
Poesia 1949-1979 / De Campos, Augusto., 1986
This is a reprinting of the book also held by the Sackner Archive which was first published in 1979. This copy differs from the first edition in that it does not contain the musical recording. -- Source of annotation: Marvin or Ruth Sackner.
Poesia 1958-1978, 1980
poesia critica / Pavanello, Giancarlo., 1997
The brochures and some of the cards are exhibition announcements and catalogues. -- Source of annotation: Marvin or Ruth Sackner.
Poesia e No 1963-1984 / Miccini, Eugenio., 1989
The collages, reproduced in black & white, on pages 33, (Viaggio Tia Le Nivole), 86 (La Societa Anestetica), and 89 (Alfabeto) are held by Sackner Archive. On an opposite facing page, the verbal content of the visual poem is printed alone.. -- Source of annotation: Marvin or Ruth Sackner.
Poesia / Finotti, Carlo., 1982
Poesia - Oggetto: Lo Scacchiere Della Scrittura Fantastica / Caruso, Luciano., 1981
This artist proof copy from an unknown tirage of proofs, was published on the occasion of an exhibition by Caruso. The exhibition was entitled, "Luogo della Immagini del Segno Scrittura." The drawings all consist of three rectangular, vertical striped of white paint with a handwritten graphite caption at their bottoms. The poem printed on the folder was composed by Caruso in 1967. -- Source of annotation: Marvin or Ruth Sackner.
Poesia Trovata / Miccini, Eugenio ; Martin H., 1988
The pages of this book consist of the text of the visual poem on the left laid out as a conventional poem and its corresponding visual poem is depicted on the right sided page. -- Source of annotation: Marvin or Ruth Sackner.
Poesia y Caligrafia / Bonvicino, Regis R.; Ferrari, Leon., 1990
The recto depicts Bonvicino's printed poem, the verso Ferrari's calligraphic interpretation. -- Source of annotation: Marvin or Ruth Sackner.
Poesias Completas 1951 / 1981 / O'Neill, Alexandre., 1982
Poesie als Mittel der Umweltgestaltung / Gomringer, Eugen., 1969
Poesie en Jeu 1953-1973 / Lambert, Jean-Clarence ; Saura, Antonio ; Paz O., 1986
Poesie Objective / Chopin, Henri., 1960
This collage depicts a prototypical concrete-visual poem. -- Source of annotation: Marvin or Ruth Sackner.
Poesis: Aspects of Contemporary Poetry / Graeme Murray, curator ; Dante ; Clark TA ; Cutts S ; Finlay IH ; Lax R ; Nannucci M ; Solt ME ; Fulton H ; Edeline F., 1992
This book was edited and designed by Graeme Murray. Francis Edeline contributes an essay that analyzes the flower poems of Mary Ellen Solt and Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.